The Dawning of American Keyboard MusicBloomsbury Academic, 19.10.1988 - 438 Seiten Clark provides an extensive survey of the keyboard culture of the young American nation. Written in straightforward, accessible style, the volume covers the period 1787-1830. Clark's unusual organization of the music by genre . . . reveals the wide expanse of the early musical output. . . . This volume belongs in every academic library and on the shelves of all pianists interested in US national musical heritage. Clark's `overriding wish is that some of this music will be played and heard again.' This reviewer heartily concurs and applauds this book as a solid cornerstone upon which his wish may be built. Choice |
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... chromatic progres- sions and remote keys must have been especially unusual in 1820 , since equal temperament was by no means common on pianos . There are six sections , in which the text appears only in the third section . The first ...
... chromatic scales , the hands crossing one another in one of the most impressive sights in all Heinrich's piano music . In the last measure of the section , however , the tonality deceptively changes to G major , then G - flat major and ...
... chromatic scale except A , the dominant , withheld until the tonic 6/4 chord at the end of the passage . Heinrich's inventive imagination extended to the technique of mirror : one hand simultaneously duplicated in mirror by the other ...
Inhalt
Sonatas Rausch to Heinrich | 1 |
120 | 18 |
110 | 22 |
Urheberrecht | |
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