The Dawning of American Keyboard MusicBloomsbury Academic, 19.10.1988 - 438 Seiten Clark provides an extensive survey of the keyboard culture of the young American nation. Written in straightforward, accessible style, the volume covers the period 1787-1830. Clark's unusual organization of the music by genre . . . reveals the wide expanse of the early musical output. . . . This volume belongs in every academic library and on the shelves of all pianists interested in US national musical heritage. Clark's `overriding wish is that some of this music will be played and heard again.' This reviewer heartily concurs and applauds this book as a solid cornerstone upon which his wish may be built. Choice |
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... Carr's own compositions includes the anonymous sonatas numbered 1 , 4 , 5 , 6 printed in Francis Linley's A New Assistant for the Piano - Forte or Harpsichord ( Baltimore : Joseph Carr , 1796 ) , but all six are probably Carr's . 23 ...
... Carr , and was included in Meineke's medley Divertimento.5 50 Most of Carr's rondo has an Alberti bass accompani- ment and , with the exception of several scales in 32nd notes , is restrained in character . Both digressions , " B " in ...
... Carr may not have been anxious to label them with his own name . The origin of the tune " Musette de Nina " is Nicholas Dalayrac's opera Nina ( 1786 ) . Carr's variations , published about 1819 ( Wolfe 1625 ) , are not particularly ...
Inhalt
Sonatas Rausch to Heinrich | 1 |
120 | 18 |
110 | 22 |
Urheberrecht | |
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