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While thus the land, adorn'd for pleasure all,
In barren splendour feebly waits the fall.

As some fair female, unadorn'd and plain,
Secure to please while youth confirms her reign,
Slights every borrow'd charm that dress supplies,
Nor shares with art the triumph of her eyes;
But when those charms are past, for charms are frail,
When time advances, and when lovers fail,

She then shines forth, solicitous to bless,
In all the glaring impotence of dress:
Thus fares the land, by luxury betray'd,
In nature's simplest charms at first array'd;
But verging to decline, its splendours rise,
Its vistas strike, its palaces surprise;
While, scourged by famine from the smiling land,
The mournful peasant leads his humble band;
And while he sinks, without one arm to save,
The country blooms-a garden, and a grave.

The Deserted Village.

'Genti

Del bel paese là, dov'l sì suona.'

FAR to the right, where Apennine ascends,
Bright as the summer, Italy extends;

Its uplands sloping deck the mountain's side,
Woods over woods in gay theatric pride;

While oft some temple's mouldering tops between
With venerable grandeur mark the scene.

Could Nature's bounty satisfy the breast,

The sons of Italy were surely blest.

Whatever fruits in different climes were found,
That proudly rise, or humbly court the ground;

Whatever blooms in torrid tracts appear,
Whose bright succession decks the varied year;
Whatever sweets salute the northern sky
With vernal lives, that blossom but to die:
These, here disporting, own the kindred soil,
Nor ask luxuriance from the planter's toil;
While sea-born gales their gelid wings expand
To winnow fragrance round the smiling land.

The Traveller.

THE FRENCH AND DUTCH CONTRASTED.

To kinder skies, where gentler manners reign,
I turn-and France displays her bright domain.
Gay, sprightly land of mirth and social ease,
Pleased with thyself, whom all the world can please;
How often have I led thy sportive choir,

With tuneless pipe, beside the murmuring Loire !
Where shading elms along the margin grew,
And, freshen'd from the wave, the zephyr flew :
And haply, though my harsh touch, faltering still,
But mock'd all tune, and marr'd the dancer's skill,
Yet would the village praise my wondrous power,
And dance, forgetful of the noontide hour!
Alike all ages. Dames of ancient days

Have led their children through the mirthful maze,
And the gay grandsire, skill'd in gestic lore,
Has frisk'd beneath the burden of threescore.

So blest a life these thoughtless realms display,
Thus idly busy rolls their world away :

Theirs are those arts that mind to mind endear,
For honour forms the social temper here.
Honour, that praise which real merit gains,
Or e'en imaginary worth obtains,

Here passes current; paid from hand to hand,
It shifts, in splendid traffic, round the land;
From courts to camps, to cottages it strays,
And all are taught an avarice of praise:

They please, are pleased; they give to get esteem,
Till, seeming blest, they grow to what they seem.

To men of other minds my fancy flies,
Embosom'd in the deep where Holland lies.
Methinks her patient sons before me stand,
Where the broad ocean leans against the land,
And sedulous to stop the coming tide,
Lift the tall rampire's artificial pride.
Onward, methinks, and diligently slow,
The firm connected bulwark seems to grow;
Spreads its long arms amidst the watery roar,
Scoops out an empire, and usurps the shore.
While the pent ocean, rising o'er the pile,
Sees an amphibious world beneath him smile ;-
The slow canal, the yellow-blossom'd vale,
The willow-tufted bank, the gliding sail,
The crowded mart, the cultivated plain—
A new creation rescued from his reign.

Thus, while around the wave-subjected soil
Impels the native to repeated toil,
Industrious habits in each bosom reign,
And industry begets a love of gain.

Hence all the good from opulence that springs,
With all those ills superfluous treasure brings,
Are here display'd.

Their much-loved wealth imparts

Convenience, plenty, elegance, and arts:

But view them closer, craft and fraud appear,
E'en liberty itself is barter'd here.

At gold's superior charms all freedom flies,
The needy sell it, and the rich man buys:
A land of tyrants, and a den of slaves,
Here wretches seek dishonourable graves;
And, calmly bent, to servitude conform,
Dull as their lakes that slumber in the storm.

Id.

*However true, unfortunately, may be the general fact of the accompanying mischiefs of extended commerce and accumulated wealth, it may appear somewhat unfair that the Dutch should be singled out as the sole representatives of a state of things, which, under similar conditions of society and similar laws, must necessarily prevail in all countries. In fact, the concluding verses of The Traveller may be justly thought to savour too much of that John Bullism' which seems to consist in exalting ourselves at the expense of others.

THOMAS WARTON.

1728-1790.

KNOWN chiefly in the province of polite criticism. Some of his sonnets have received high praise from Hazlitt, who characterises them as some of the finest in the language. His History of English Poetry is his chief title to literary fame.

APPROACH OF SPRING.

MINDFUL of disaster past,

And shrinking at the northern blast,
The sleety storm returning still,
The morning hoar, the evening chill,
Reluctant comes the timid Spring.
Scarce a bee, with airy ring,

Murmurs the blossom'd boughs around

That clothe the garden's southern bound:

Scarce the hardy primrose peeps

From the dark dell's entangled steeps.

O'er the field of waving broom

Slowly shoots the golden bloom;

And but by fits the furze-clad dale
Tinctures the transitory gale.

Scant along the ridgy land

The beans their new-born ranks expand:
The fresh-turn'd soil, with tender blades,
Thinly the sprouting barley shades:
Fringing the forest's devious edge,
Half-robed appears the hawthorn hedge;

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