Half pleased and half surprised they seemed, For in each kindred eye Love mixed with pity fondly gleamed, And mournful gravity. A fear, for them who knew no fear, They view life's future through a tear The bridegroom bore a royal crown That like a golden veil fell down In tresses soft and fair. The bearing of the noble child His princely lineage told, Beneath that brow so smooth and mild All coyly went the sweet babe-bride, Crowns of white roses bore, The infant bridal o'er. Then words of import strange and deep The hoary prelate said, And some had turned away to weep And many bowed the head. Their steady gaze those children meek Upon the old man bent, As earnestly they seemed to seek The solemn words' intent. Calm in the blest simplicity That never woke to doubt; Calm in the holy purity Whose presence bars shame out! Then turned they from each troubled brow And many a downcast eye, And gazed upon each other now And nestled close, with looks of love, Upon the altar's stone: Such ties as Seraphs bind above These little ones might own. And sweetly was the babe-bride's cheek Then smiled they on their grand array And went forth hand in hand, Scarce had the blossoms died away A life as short, and darker doom. The gentle boy befel: He slept not in his father's tomb, He woke with those who've ceased to weep, A garland floats around the throne, A melody most pure and sweet And blossoms o'er the mercy-seat I have now to introduce another fair artist into the female gallery of which I am so proud; an artist whose works seem to me to bear the same relation to sculpture that those of Mrs. Acton Tindal do to painting. The poetry of Miss Day is statuesque in its dignity, in its purity, in its repose. Purity is perhaps the distinguishing quality of this fine writer, pervading the conception, the thoughts and the diction. But she must speak for herself. As "The Infant Bridal" might form a sketch for an historical picture, so "Charlotte Corday" is a model, standing ready to be chiselled in Parian stone. Stately and beautiful and chaste, There was no room for fear, She heard the cry of vengeance roll She thought to stem the course of crime She knew to perish in her prime Alone would be her meed. No tremor shook her woman's breast, She spoke, she smiled, she took her rest, And hidden held her vow. She mused upon her country's wrong, Upon the tyrant's guilt, Her settled purpose grew more strong As blood was freshly spilt: What though the fair smooth hand were slight!— It grasped the sharpened steel; A triumph flashed before her sight She sought her victim in his den The tiger in his lair; And though she found him feeble then, Fast through his dying guilty heart, That pity yet withstood, She made her gleaming weapon dart, And stained her soul with blood. She bore the buffets and the jeers Of an infuriate crowd; She asked no grace, she showed no fear, She only quailed when woman's cries Her lips betrayed her soul's surprise She justified her deed of blood As in the judgment-hall she stood And when she heard her awful doom, Before the morn to die, Her cheek assumed a brighter bloom, And triumph lit her eye. She marked a painter's earnest gaze, That he for men in other days Her raptured mien might trace. She wore the bonds, the robe of red, |