The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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... vidual in ordinary work situations presents himself and his activity to others , the ways in which he guides and controls the impression they form of him , and the kinds of things he may and may not do while sustaining his performance ...
... vidual in ordinary work situations presents himself and his activity to others , the ways in which he guides and controls the impression they form of him , and the kinds of things he may and may not do while sustaining his performance ...
Página 18
... vidual has no belief in his own act and no ultimate concern with the beliefs of his audience , we may call him cynical , reserving the term " sincere " for individuals who believe in the impression fostered by their own performance . It ...
... vidual has no belief in his own act and no ultimate concern with the beliefs of his audience , we may call him cynical , reserving the term " sincere " for individuals who believe in the impression fostered by their own performance . It ...
Página 249
... vidual to know the actual outcome or end product of the activity of the others during the interaction , as well as their innermost feelings concerning him . Full information of this order is rarely available ; in its absence , the ...
... vidual to know the actual outcome or end product of the activity of the others during the interaction , as well as their innermost feelings concerning him . Full information of this order is rarely available ; in its absence , the ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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Termos e frases comuns
action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual