The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 24
... refer to those stimuli which function at the time to tell us of the performer's social statuses . These stimuli also tell us of the individual's temporary ritual state , that is , whether he is engaging in formal social activity , work ...
... refer to those stimuli which function at the time to tell us of the performer's social statuses . These stimuli also tell us of the individual's temporary ritual state , that is , whether he is engaging in formal social activity , work ...
Página 107
... refer to the place where the performance is given . The fixed sign - equipment in such a place has already been referred to as that part of front called " setting . " We will have to see that some aspects of a performance seem to be ...
... refer to the place where the performance is given . The fixed sign - equipment in such a place has already been referred to as that part of front called " setting . " We will have to see that some aspects of a performance seem to be ...
Página 173
... refer to their foreign colleagues as " G. R.'s " ; 5 American soldiers may secretly refer to English soldiers with whom they work as " Limeys " ; " pitchmen in carnivals present their spiel before persons whom they refer to in private ...
... refer to their foreign colleagues as " G. R.'s " ; 5 American soldiers may secretly refer to English soldiers with whom they work as " Limeys " ; " pitchmen in carnivals present their spiel before persons whom they refer to in private ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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Termos e frases comuns
action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual