The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 6
... particular way , but chiefly because the tradition of his group or social status require this kind of expression and not because of any particular response ( other than vague acceptance or approval ) that is likely to be evoked from ...
... particular way , but chiefly because the tradition of his group or social status require this kind of expression and not because of any particular response ( other than vague acceptance or approval ) that is likely to be evoked from ...
Página 22
... particular set of observers and which has some influence on the observers . It will be convenient to label as " front " that part of the individual's performance which regularly functions in a general and fixed fashion to define the ...
... particular set of observers and which has some influence on the observers . It will be convenient to label as " front " that part of the individual's performance which regularly functions in a general and fixed fashion to define the ...
Página 83
... particular appearance of things , they are forced to define one another as persons " in the know , " as persons before whom a particular front can- not be maintained . Teammates , then , in proportion to the frequency with which they ...
... particular appearance of things , they are forced to define one another as persons " in the know , " as persons before whom a particular front can- not be maintained . Teammates , then , in proportion to the frequency with which they ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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Termos e frases comuns
action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual