The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 6
... individual appears before others his actions will influence the definition of the situation which they come to have . Sometimes the individual will act in a thoroughly calculating manner , expressing himself in a given way solely in ...
... individual appears before others his actions will influence the definition of the situation which they come to have . Sometimes the individual will act in a thoroughly calculating manner , expressing himself in a given way solely in ...
Página 81
... individual in his performing capacity to conceal from himself in his audience capacity the discreditable facts that he has had to learn about the performance ; in everyday terms , there will be things he knows , or has known , that he ...
... individual in his performing capacity to conceal from himself in his audience capacity the discreditable facts that he has had to learn about the performance ; in everyday terms , there will be things he knows , or has known , that he ...
Página 249
... individual enters the presence of others , he will want to discover the facts of the situation . Were he to possess this information , he could know , and make allowances for , what will come to happen and he could give the others ...
... individual enters the presence of others , he will want to discover the facts of the situation . Were he to possess this information , he could know , and make allowances for , what will come to happen and he could give the others ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual