The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 29
... crofting community studied by the writer , hosts often marked the visit of a friend by offering him a shot of hard ... crofters could not afford to keep a bottle of hard liquor , so that wine tended to be the most indulgent gesture ...
... crofting community studied by the writer , hosts often marked the visit of a friend by offering him a shot of hard ... crofters could not afford to keep a bottle of hard liquor , so that wine tended to be the most indulgent gesture ...
Página 162
... crofters were made fun of , and the restrained manner ordi- narily employed in their presence gave way to the gentry's version of convivial horseplay . Here the gentry faced up to the fact that they were similar to the crofters in ...
... crofters were made fun of , and the restrained manner ordi- narily employed in their presence gave way to the gentry's version of convivial horseplay . Here the gentry faced up to the fact that they were similar to the crofters in ...
Página 163
Erving Goffman. with a secret playfulness that many crofters did not suspect them of.23 It may be suggested that the ... crofter came to tea , they seemed less aware of how dependent the teatime esprit was on there being crofters ...
Erving Goffman. with a secret playfulness that many crofters did not suspect them of.23 It may be suggested that the ... crofter came to tea , they seemed less aware of how dependent the teatime esprit was on there being crofters ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual