The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 57
... Simone de Beauvoir suggests , we are helped in keeping this pose by clamps that are tightened directly on the body , some hidden , some showing : Even if each woman dresses in conformity with her status , a game is still being played ...
... Simone de Beauvoir suggests , we are helped in keeping this pose by clamps that are tightened directly on the body , some hidden , some showing : Even if each woman dresses in conformity with her status , a game is still being played ...
Página 58
... Simone de Beauvoir , The Second Sex , trans . H. M. Parshley ( New York : Knopf , 1953 ) , p . 533 . to pounce on chinks in his symbolic armor in order 58 THE PRESENTATION OF SELF.
... Simone de Beauvoir , The Second Sex , trans . H. M. Parshley ( New York : Knopf , 1953 ) , p . 533 . to pounce on chinks in his symbolic armor in order 58 THE PRESENTATION OF SELF.
Página 112
... Simone de Beauvoir pro- vides a rather vivid picture of this backstage activity in de- scribing situations from which the male audience is absent . What gives value to such relations among women is the truthfulness they imply ...
... Simone de Beauvoir pro- vides a rather vivid picture of this backstage activity in de- scribing situations from which the male audience is absent . What gives value to such relations among women is the truthfulness they imply ...
Conteúdo
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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Termos e frases comuns
action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual