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VASARI (GIORGIO). Le Vite de' Più Eccellenti Pittori, Scultori ed Architetti. 4to, 3 vols. Bologna, 1647.

VAUX (W. S. W.) Handbook to the Antiquities of the British Museum.

8vo, 1 vol. Lond., 1851.

VERSAILLES. Indicateur des Tableaux et Sculptures du Musée de Versailles. 32mo, 1 vol. Versailles, N.D.

VINCI (LEONARDO DA). Treatise on Painting. Translated and Digested by John Francis Rigaud, with the Life of the Author and Critical Account of his Works, by John William Brown.

8vo, l'vol.

Lond., 1835.

W.

WAAGEN (GUSTAV FRIEDRICH, Ph.D.)

8vo, 1 vol.

R. Noel, and
Lond., 1840.

1. Peter Paul Rubens, his Life and Genius. Translated by R.
Edited by Mrs. Jameson.
2. Treasures of Art in Great Britain; being an Account of the Chief Collec-
tions of Paintings, Drawings, Sculptures, Illuminated MSS., &c., &c.
8vo, 3 vols. Lond., 1854.

WALKER (ALEXANDER). Beauty Illustrated by an Analysis and Classification in
Woman, illustrated with Drawings from Life by Henry Howard.

8vo, 1 vol. Lond., 1852. 4to, 8 vols. Lond., 1800-20.

WALPOLE (HORACE, Earl of Orford). Works of.
WARING (J. B.) Manchester Art Treasures. Edited by J. B. Waring.

Folio, 1 vol. Lond., 1858.

WARREN (HENRY). Artistic Anatomy of the Human Figure.

8th ed.

WEALE (JOHN). Divers Works of Early Masters in
Examples of Ancient Painted and Stained Glass.

WEALE'S SERIES.

1. On Perspective. By George Pyne.

2. On Painting and Coloring. By G. Field.

3. On Glass Staining. By Dr. M. A. Gessert.

4. On Photography. By Dr. G. C. H. Halleur.

12mo, 1 vol. Lond., 1860. Christian Decoration, with Folio, 2 vols. Lond., 1846.

WEDGWOOD (JOSIAS). Catalogue de Camées, Intaglios, Medailles, Bas Reliefs, Bustes et Petites Statues, accompagné d'une Description de Diverses Tablettes, Vases, etc., le tout fabriqué en Porcelaine et Terre Cuite.

8vo, 1 vol. Lond., 1788. WESTALL (WILLIAM). Views of Australian Scenery. Obl. 4to, 1 vol. Lond., 1814.

WESTWOOD (JOHN OBADIAH).

Palæographia Sacra Pictoria; being a series of Illustrations of the Ancient Versions of the Bible copied from illuminated MSS., between the fourth and sixteenth centuries. 4to, 1 vol. Lond., N.D. WILKINSON (Sir JOHN GARDNER, D.C.L.)

1. Manners and Customs of the Ancient Egyptians, including their Private
Life, Government, Laws, Arts, Manufactures, Religion, and Early History,
derived from a Comparison of the Paintings, Sculptures, and Monuments
still existing with the Accounts of Ancient Authors. Illustrated with
Drawings of those Subjects.
8vo, 6 vols. Lond., 1837-41.

2. On Color and on the Necessity for a diffusion of Taste,
Laying Out Geometrical Gardens.

8vo, 1 vol.

with Remarks on Lond., 1858.

WILLIAMS (D. E.) Life and Correspondence of Sir Thomas Lawrence.

WILLIAMS (J. BUTLER). Manuel of Model-Drawing
Sanction of the Council of Education.
WILSON (RICHARD). Etchings from the Works of.

8vo, 2 vols. Lond., 1831. from Solid Forms, under the 8vo, 1 vol. Lond., 1843.

4to, 1 vol.

WINCKELMANN (JEAN). Histoire de l'Art chez les Anciens.

Lond., 1825.

4to, 3 vols. Paris, 1803.

WINSTON (CHARLES). Inquiry into the Difference of Style observable in Ancient Glass Paintings, especially in England; with Hints on Glass Painting. 8vo, 2 vols. Oxford, 1847.

WISEMAN (Cardinal NICHOLAS). Points of Contact between Science and Art. 8vo, 1 vol. Lond., 1863.

WORDSWORTH (CHRISTOPHER, D.D.) Greece: Pictorial, Descriptive, and Historical; and a History of the Characteristics of Greek Art. Illustrated by George Scharf, Jun. 8vo, 1 vol. Lond., 1853. WORLIDGE (THOMAS). Select Collection of Drawings from Antique Gems. Etched after the Manner of Rembrandt. 8vo, 2 vols. Lond., 1768.

WORNUM (RALPH NICHOLSON).

:

1. The Epochs of Painting Characterised a Sketch of the History of Painting, Ancient and Modern, showing its Gradual and Various Development from the Earliest Ages to the Present Time.

2. Another and Revised Edition.

12mo, 1 vol. Lond., 1847.

12mo, 1 vol. Lond., 1859.

3. Analysis of Ornament: the Characteristics of Styles: an Introduction to the Study of the History of Ornamental Art.

4. Catalogue of Ornamental Casts, Third Division,

8vo, 1 vol. Lond., 1856. Renaissance.

Lond., 1854. Kens. (S.) Mus., vol. XX.

5. Account of the Library of the Division of Art at Marlborough House.

Lond., 1855. Kens. (S.) Mus., vol. XVIII.

WORTHEN (W. E.) Appleton's Cyclopædia of Drawing; comprising Geometrical Projection, Mechanical, Architectural, and Topographical Drawing, Perspective, and Isometry. 8vo, 1 vol. New York, 1857.

WRIGHT (THOMAS) and JONES (Rev. H. LONGUEVILLE). Memorials of Cambridge: Views of the Colleges, Halls, and Public Buildings. with Historical and Descriptive Accounts.

Engraved by Le Keux; 8vo, 2 vols. Lond., 1847.

WYATT (MATTHEW DIGBY).

1. Art of Illuminating, as practised in Europe from the Earliest Times.

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YOUNG (Rev. EDWARD) Pre-Raffaelitism; or, an Enquiry into some Newly-asserted
Principles connected with the Philosophy, Poetry, Religion, and Revolution of
Art.
8vo, 1 vol. Lond., 1857.

YULE (Capt. HENRY). Mission to the Court of Ava. Photographs.

Folio, 1 vol. Lond., 1858.

BILLS, DEEDS, &c. (ORIGINALS AND COPIES).

BILL OF RIGHTS. CORONATION OATH. Written by J. M, Meek, On Rollers. COMMISSION TO COL. CHOMLEY, during the Rebellion,

DEED OF RECOVERY, 29 Charles II., July 4, 1678.

GARIBALDI (General). Letter of Thanks from, to the Sword of Honor Committee, Melbourne, August, 1861. (Original.)

HABEAS CORPUS. Written by J. M. Meek. On Rollers.

LIST OF PERSONS who Signed the Port Phillip Anti-Shipwreck Petition in 1847. Presented to the Trustees by James Ballingall, Esq.

MAGNA CHARTA. Written by J. M. Meek. On Rollers.

MEEK (J. M.) Historical and Descriptive Atlas of Continental and Insular Australia (Specimen of Penmanship). On Rollers.

PARDON (A General) for Edward Long, gent., with Seal of James I. attached (1603). PRIMITIVE OR ASSYRIAN ALPHABET (and Comparative Table of Alphabets). “THE PORT PHILLIP." A Copy of, No. 6, published by John Pascoe Fawkner, Feb. 5, 1838.

TURKISH FIRMAN.

VICTORIAN PHONETIC SOCIETY. Phonographic Short-Hand Alphabet. On

Rollers.

WILL OF ALEXANDER CRAMPTON, of Doddenham, in Suffolk. May 18, 1588. (30 Eliz.)

MANUSCRIPTS (FACSIMILE LITHOGRAPHS OF).

FRAMED.

CONFESSION OF FAITH (Church of Scotland).

MAGNA CHARTA.

WARRANT TO EXECUTE KING CHARLES. (2 copies.)

WARRANT TO EXECUTE QUEEN MARY.

NEWSPAPER OF EARLY DATE.

"LONDON TIMES" of the 6th November, 1805, containing an account of the Glorious and Decisive Victory over the Combined Fleet, and Death of Lord Nelson.

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Restorations: fingers of right hand, left fore arm, extremities of toes.

Son of Peleus (King of the Myrmidons in Thessaly) and of Thetis. Killed at the siege of Troy, B.C. 1184, by Paris, son of Priam and Hecuba, whose elopement with Helen, wife of Menelaus, King of Sparta, led to the Trojan War.

2. ADONIS.

See Homer Iliad; Virgil Æneid, vi. 57; Ovid Metam., xii.

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Restorations: both arms, right leg, top of nose, by Albracini.

Different accounts of the parentage of this youth are given by ancient writers. He was beloved by Venus, who accompanied him in hunting; he was killed by a wild boar. He is identified with the Syrian Thammuz of Ezekiel viii. 14.

While smooth Adonis from his native rock
Ran purple to the Sea, supposed with blood
Of Thammuz yearly wounded.

MILTON, Par. Lost, i. 450,

See Hesiod; Apollodorus, iii. 14; Ovid Met., x.; Hyginus Fab.; Theocritus,
Id. xv., xxx.; Bion, Id. i.; Lucian de Dea Syria; Shakspeare, Venus and Adonis.

3. AMAZON. Presented to the Trustees by John Werge Howey, Esq.

Original in the Vatican.

Found at the Villa Mattei, Rome.

Sculptor, Polyclitus flourished B.C. 450.

Height, 6 feet 2 inches.

Restorations: the arms.

The Amazons were a race of warrior women who inhabited the territory of the Caucasus. Some believe that the name means that they were not nursed at the breast, or were without breasts, or because each had her right breast cut off that it might not impede the drawing of the bow; others that it is derived from the Caucasian word for Artemis, the Moon, of which Deity they were the priestesses, and suggest that the injury to the breast may be accounted for by the laceration of the body in the paroxysms of their religious orgies. This is supposed to be a copy from one of the bronze statues placed in the Temple of Diana at Ephesus, spoken of by Pliny. In order of merit they stood thus that of Polyclitus, first; of Phidias, second; of Ctesilaus, third; of Cydon, fourth; of Phradmon, fifth.

:

ii. 241.

Diodorus Sic., ii. 45, iii. 52; Plutarch, Theseus; Pliny, xxxiv. 19; Winckelmann, 4. ANATOMICAL STATUE.

Sculptor, Houdon.

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