Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 43
Seite 187
... verbal language , sign- language etc. , meaning is encoded and communicated by the sender ( s ) and decoded and interpreted by the receiver ( s ) through a recognized and shared syntax of semiotic codes . Although music has been ...
... verbal language , sign- language etc. , meaning is encoded and communicated by the sender ( s ) and decoded and interpreted by the receiver ( s ) through a recognized and shared syntax of semiotic codes . Although music has been ...
Seite 228
... verbal and non - verbal utterances not published in the source text . These additions can be rightly justified as being medium specific where they sonically illustrate the modus operandi for contextualising certain otherwise visual ...
... verbal and non - verbal utterances not published in the source text . These additions can be rightly justified as being medium specific where they sonically illustrate the modus operandi for contextualising certain otherwise visual ...
Seite 266
... verbal utterances , e.g. laughs , chuckles etc. , at different points between the text . This has the dramatic effect for the listener of bringing Shakespeare's text alive by creating a sense of spontaneous conversation between the ...
... verbal utterances , e.g. laughs , chuckles etc. , at different points between the text . This has the dramatic effect for the listener of bringing Shakespeare's text alive by creating a sense of spontaneous conversation between the ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice