Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 245
... timpani playing the tonic bass note ( C # ) . The dissonance is less pronounced in this instance as the major 2nd clash is played in the bass region and due to the broader nature of low frequency sounds , this major 2nd clash appears ...
... timpani playing the tonic bass note ( C # ) . The dissonance is less pronounced in this instance as the major 2nd clash is played in the bass region and due to the broader nature of low frequency sounds , this major 2nd clash appears ...
Seite 262
... timpani beats playing the dominant and tonic notes . Timpani rolls are used at phrase ends creating an effective and dramatic sounding piece . King Lear Act 1 : 1 SRS Production GLOUCESTER : MUSIC : GLOUCESTER : MUSIC : He hath been out ...
... timpani beats playing the dominant and tonic notes . Timpani rolls are used at phrase ends creating an effective and dramatic sounding piece . King Lear Act 1 : 1 SRS Production GLOUCESTER : MUSIC : GLOUCESTER : MUSIC : He hath been out ...
Seite 269
... timpani playing intervals of a 5th apart in a slow deliberate tempo . This slow tempo together with the repeated 5th intervals creates the peculiar association of one laboured in movement and breath , the pronounced inhale and the slow ...
... timpani playing intervals of a 5th apart in a slow deliberate tempo . This slow tempo together with the repeated 5th intervals creates the peculiar association of one laboured in movement and breath , the pronounced inhale and the slow ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice