Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 123
... sound , radio drama is immersed in a world of sounds - voices , spoken - words , music , sound effects , noises , silences , utterances , acoustic distances and electronic processing . Radio drama is the ... sound is meant to be Sound Images.
... sound , radio drama is immersed in a world of sounds - voices , spoken - words , music , sound effects , noises , silences , utterances , acoustic distances and electronic processing . Radio drama is the ... sound is meant to be Sound Images.
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... Sound fx . can be divided into three broad categories , ( i ) pre- recorded and sounds from nature , ( ii ) ' live ... sound is required for a play then this will need to be specifically recorded . For example , the street sounds of ...
... Sound fx . can be divided into three broad categories , ( i ) pre- recorded and sounds from nature , ( ii ) ' live ... sound is required for a play then this will need to be specifically recorded . For example , the street sounds of ...
Seite 178
... sound effect is taken from some of in the field of illustrative composition . my own work In composing the sound track for the radio drama - documentary Shame on the Titanic ( RTE 1 ) , one of the sound effects I had to create was the ...
... sound effect is taken from some of in the field of illustrative composition . my own work In composing the sound track for the radio drama - documentary Shame on the Titanic ( RTE 1 ) , one of the sound effects I had to create was the ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice