Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 73
... piece lasted twelve minutes and was subtitled , ' A Radiophonic Poem . ' It is perhaps the best example of the early realization of the aural influence of sounds on words and conversely words on sounds . Briscoe believes that the ...
... piece lasted twelve minutes and was subtitled , ' A Radiophonic Poem . ' It is perhaps the best example of the early realization of the aural influence of sounds on words and conversely words on sounds . Briscoe believes that the ...
Seite 80
... Piece for Radio Perhaps , published in May 1952 by Countess Caetani in her quarterly Botteghe Oscure . In a letter to Countess Caetani accompanying the unfinished script of Llareggub : A Piece for Radio Perhaps , Thomas writes ...
... Piece for Radio Perhaps , published in May 1952 by Countess Caetani in her quarterly Botteghe Oscure . In a letter to Countess Caetani accompanying the unfinished script of Llareggub : A Piece for Radio Perhaps , Thomas writes ...
Seite 240
... piece composed for the production by Christopher Whelan . The piece is relatively short at one minute and seventeen seconds [ 00:01:17 ] and is divided into three musical sections . Section 1 - introduction , section 2 - which includes ...
... piece composed for the production by Christopher Whelan . The piece is relatively short at one minute and seventeen seconds [ 00:01:17 ] and is divided into three musical sections . Section 1 - introduction , section 2 - which includes ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice