Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
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Seite 28
... live audience who would give them ' the solid , palpable sympathy ' they demanded . ' 19 This suggestion found little support , and live performances of plays either to a studio audience or recorded in a theatre were rarely tried . This ...
... live audience who would give them ' the solid , palpable sympathy ' they demanded . ' 19 This suggestion found little support , and live performances of plays either to a studio audience or recorded in a theatre were rarely tried . This ...
Seite 53
... live outside music broadcast from a hotel in downtown New York . Live outside broadcasts of music and dance programmes were a common feature of American broadcasting at the time . In the following examples from the script , I have ...
... live outside music broadcast from a hotel in downtown New York . Live outside broadcasts of music and dance programmes were a common feature of American broadcasting at the time . In the following examples from the script , I have ...
Seite 332
... live theatre , with the now rare exceptions of ' live ' broadcast plays , is the definitive existence of the radio play in its pre - recorded or taped form . Radio drama already exists , recorded in its entirety before the listener ...
... live theatre , with the now rare exceptions of ' live ' broadcast plays , is the definitive existence of the radio play in its pre - recorded or taped form . Radio drama already exists , recorded in its entirety before the listener ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice