Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 200
... interior scene in a reverberant kitchen or bathroom to a non - reverberant scene in a bedroom or the ' boxy ' interior of a car . Most radio drama studios are constructed to provide for smaller dedicated ' fixed ' acoustic areas and ...
... interior scene in a reverberant kitchen or bathroom to a non - reverberant scene in a bedroom or the ' boxy ' interior of a car . Most radio drama studios are constructed to provide for smaller dedicated ' fixed ' acoustic areas and ...
Seite 267
... interior of a medieval stone built castle . A sense of place , a castle interior , is well established by placing the voices of Kent and Gloucester and the Discussion Points - A | Analysis 267.
... interior of a medieval stone built castle . A sense of place , a castle interior , is well established by placing the voices of Kent and Gloucester and the Discussion Points - A | Analysis 267.
Seite 276
... interior thoughts of an individual . Whatever difficulty this might pose on the stage , on radio it is a completely natural extension of the medium that favours interior perception . Interior thoughts can be presented different ways but ...
... interior thoughts of an individual . Whatever difficulty this might pose on the stage , on radio it is a completely natural extension of the medium that favours interior perception . Interior thoughts can be presented different ways but ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice