Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
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... imagination of the listener himself . The stage author deals in scenes and situations which can be presented to the eye . The wireless author may make use of practically any scene or situation which can be conceived by human thought and ...
... imagination of the listener himself . The stage author deals in scenes and situations which can be presented to the eye . The wireless author may make use of practically any scene or situation which can be conceived by human thought and ...
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... imaginations of the listeners through the performer / performance . As the listener hears the drama the void is continually filled with mental visualizations as real and as vivid as the listener's imagination allows them to be . Through ...
... imaginations of the listeners through the performer / performance . As the listener hears the drama the void is continually filled with mental visualizations as real and as vivid as the listener's imagination allows them to be . Through ...
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Radio and the Dramatic Imagination Dermot Rattigan. Through the medium of radio the realities of sound can combine with the power of the listening imagination to transform the surreal images of the visible Void into virtual experiences ...
Radio and the Dramatic Imagination Dermot Rattigan. Through the medium of radio the realities of sound can combine with the power of the listening imagination to transform the surreal images of the visible Void into virtual experiences ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience bass BBC Radio BBC Radiophonic Workshop BBC3 BBC4 Production Beckett broadcast Burgundy centre-mic character composed context Cordelia Cornwall creates Crisell dialogue Dylan Thomas Edmund electronic elements emotional example fades film footsteps France and Burgundy function genre Gloucester Gloucester's Goneril Goneril and Regan hear heard Howard Koch ibid illusion imagination Kent Kent's King Lear Act Krapp Krapp's Last Tape language Lear Act 1:i Listener Right Centre listener's Llareggub Lord Love meaning medium melody Mercury Theatre microphone Milk Wood movement moving natural Orson pause perception phrase pitch playwrights position prelude prelude music programme radio drama radio drama production radio play radio productions recording reverb rhythm rhythmic RTE Production Samuel Beckett script sense Shakespeare signifying silence sonic sound effects sound fx spatial speak speech SRS Production stage Stoppard structure studio television tempo of delivery theatre timbre timpani trumpet utterances verbal visual vocal delivery