Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 47
Seite 14
... human speech itself . * McLuhan's philosophical assessment of radio's psychological appeal is interesting in the light it throws upon radio's unique relationship with its listeners . Sound , once heard , is absorbed through the human ...
... human speech itself . * McLuhan's philosophical assessment of radio's psychological appeal is interesting in the light it throws upon radio's unique relationship with its listeners . Sound , once heard , is absorbed through the human ...
Seite 187
... human , but why and how we come to understand music's message remains for the time being a mystery . Perhaps in the future the results of scientific research into the area of human sound perception will provide some of the answers . 11 ...
... human , but why and how we come to understand music's message remains for the time being a mystery . Perhaps in the future the results of scientific research into the area of human sound perception will provide some of the answers . 11 ...
Seite 284
... human figurehead whose vunerability has now been betrayed through his very irrational human behaviour . Lear's Lear's incessant rage encompasses Kent's banishment not as a separate and considered decision in itself , but as the ...
... human figurehead whose vunerability has now been betrayed through his very irrational human behaviour . Lear's Lear's incessant rage encompasses Kent's banishment not as a separate and considered decision in itself , but as the ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
actor audience bass BBC Radio BBC Radiophonic Workshop BBC3 BBC4 Production Beckett broadcast Burgundy centre-mic character composed context Cordelia Cornwall creates Crisell dialogue Dylan Thomas Edmund electronic elements emotional example fades film footsteps France and Burgundy function genre Gloucester Gloucester's Goneril Goneril and Regan hear heard Howard Koch ibid illusion imagination Kent Kent's King Lear Act Krapp Krapp's Last Tape language Lear Act 1:i Listener Right Centre listener's Llareggub Lord Love meaning medium melody Mercury Theatre microphone Milk Wood movement moving natural Orson pause perception phrase pitch playwrights position prelude prelude music programme radio drama radio drama production radio play radio productions recording reverb rhythm rhythmic RTE Production Samuel Beckett script sense Shakespeare signifying silence sonic sound effects sound fx spatial speak speech SRS Production stage Stoppard structure studio television tempo of delivery theatre timbre timpani trumpet utterances verbal visual vocal delivery