Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 68
Seite 51
... heard the broadcast where 1,000,000 were frightened or disturbed . ' He also quotes a figure from AIPO ( The American Institute of Public Opinion ) which gave the figure of 12,000,000 listeners who heard the broadcast where 9,000,000 ...
... heard the broadcast where 1,000,000 were frightened or disturbed . ' He also quotes a figure from AIPO ( The American Institute of Public Opinion ) which gave the figure of 12,000,000 listeners who heard the broadcast where 9,000,000 ...
Seite 58
... heard what they heard and in the most part believed what they heard to be ' live ' news reports of an alien invasion . Such was the belief implicitly given to radio , that news reports could only be factual , particularly when they ...
... heard what they heard and in the most part believed what they heard to be ' live ' news reports of an alien invasion . Such was the belief implicitly given to radio , that news reports could only be factual , particularly when they ...
Seite 184
... heard is post - impulse sound , that is , any sound that is heard has already existed , perhaps only a fraction of a second earlier , before it is heard . The human auditory system has no natural mechanism to block out sound once sound ...
... heard is post - impulse sound , that is , any sound that is heard has already existed , perhaps only a fraction of a second earlier , before it is heard . The human auditory system has no natural mechanism to block out sound once sound ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice