Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
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Seite 182
... creates no semiotic system.2 2 Adorno's theoretical paradox is that music resembles a language as a ' temporal sequence of articulated sounds that say something ' , where language is understood to be ' voiced ' meaning and where music ...
... creates no semiotic system.2 2 Adorno's theoretical paradox is that music resembles a language as a ' temporal sequence of articulated sounds that say something ' , where language is understood to be ' voiced ' meaning and where music ...
Seite 183
... creates no semiotic system ' may have been influenced by an older and narrower definition of music as ' the art of combining vocal and instrumental tones in a rhythmic form for the expression of emotion under the laws of beauty . Drawn ...
... creates no semiotic system ' may have been influenced by an older and narrower definition of music as ' the art of combining vocal and instrumental tones in a rhythmic form for the expression of emotion under the laws of beauty . Drawn ...
Seite 263
... creates the sense of an immediate past to the scene . A past which in itself holds no importance of content to the play , but a past nonetheless that through its non - verbal utterance ( laughter ) creates a sense of immediacy or ...
... creates the sense of an immediate past to the scene . A past which in itself holds no importance of content to the play , but a past nonetheless that through its non - verbal utterance ( laughter ) creates a sense of immediacy or ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice