Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 54
Seite 12
... audience ratings , radio relied upon its elite weapon , its sense of immediacy . The media theorist , Marshall ... audience has often been described as a ' private ' listening audience , the introduction of television generated a new ...
... audience ratings , radio relied upon its elite weapon , its sense of immediacy . The media theorist , Marshall ... audience has often been described as a ' private ' listening audience , the introduction of television generated a new ...
Seite 58
... audience had a regular listenership of about 4 % of the total audience whereas Bergen and McCarthy had almost 35 % . On the night in question , 30 October 1938 , a rather shrill and out of tune soprano began her singing routine on the ...
... audience had a regular listenership of about 4 % of the total audience whereas Bergen and McCarthy had almost 35 % . On the night in question , 30 October 1938 , a rather shrill and out of tune soprano began her singing routine on the ...
Seite 354
... audiences to participate in mass mediated debate and discussion ... What makes this show particularly interesting is that it offers access to listeners , and in this way allows the audience to participate in meaning making ' [ p.167 ] ...
... audiences to participate in mass mediated debate and discussion ... What makes this show particularly interesting is that it offers access to listeners , and in this way allows the audience to participate in meaning making ' [ p.167 ] ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice