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THE GOTHIC CHURCH, NEW HAVEN.

THE area occupied by the town of New Haven is estimated to be six times as great as that of a European town with the same number of inhabitants. It was originally laid out in parallelograms, and the houses are built upon the outer sides of the squares, with large gardens mceting in the centre. Almost every house stands separate, and surrounded by shrubbery and verdure; and it is the great peculiarity of the town, that all its streets are planted with rows of elms, grown at this day to remarkable size and luxuriance. It has the appearance of a town roofed in with. leaves; and it is commonly said, that, but for the spires, a bird flying over would scarce be aware of its existence. Nothing could be more beautiful than the effect of this in the streets; for, standing where any of the principal avenues cross at right angles, four embowered aisles extend away as far as the eye can follow, formed of the straight stems and graceful branches of the drooping elm, the most elegant and noble of the trees of our country. The roads below are kept moist and cool with the roof overhead; the side-walks, between the trees and the rural dwellings, are broad and shady; the small gardens in front of most of the houses are bright with flowering shrubs; and the whole scene, though in the midst of a city, breathes of nature.

The style of domestic architecture in New Haven favours the rural character of the town. Built, as was remarked before, in the midst of a garden, each house looks like what would be termed in England a cottage, or, in streets where a more ambitious style prevails, like the sort of white villa common at watering places. The green Venetian blind is universal; the broad, open hall extends through the house, showing the gay alley of a garden in the rear; and, living in the midst of a primitive and friendly community, the inhabitants sit at their low windows along the street, or promenade, without fear of rude observation, on the shady pavement before their

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THE GOTHIC CHURCH, NEW HAVEN.

dwellings, preserving for the place altogether that look of out-of-doors life and gaiety which, with less elegance, distinguishes Naples and other cities of southern Europe. The prettiest of English rural towns have a general resemblance to it.

In the centre of New Haven were originally laid out two open squares, divided by a street kept sacred from private buildings. The upper green is a beautiful slope, edged with the long line of the college edifices. Between the two squares stand three churches, at equal distances; two of the common order of architecture for places of public worship in this country (immense brick buildings, with tall white spires); and a third, which is presented in the drawing, a Gothic episcopal church, of singular purity and beauty. Behind and before it, spread away the verdant carpets of the two enclosed "greens;" above its turret and windows hang the drooping fans of elms, half disclosing and half concealing its pointed architecture; and to its door, from every direction, tend aisles of lofty trees, overhanging the paths with shadow, as if the first thought of the primitive settlers had been to create visible avenues to the house of God. There is scarce a more beautiful place of worship, take it all in all, in the whole of Christendom.

The trees in the magnificent avenue in front of these churches were planted by a single individual, the Hon. James Hillhouse. His example decided the character of the town, for it was followed in every street. To the enterprise of the same publicspirited gentleman, New Haven owes one of the most beautiful cemeteries in the world. The square in the rear of the churches was formerly, according to the English custom, used as a churchyard, and encumbered with graves, which soon threatened to overrun its limits. Mr. Hillhouse, some years since, purchased a field in the western skirt of the town, laid it out and planted it, and subsequently removed to it all the tombstones and remains from the Green; among them the headstone of the regicide Goffe. It is now one of the most beautiful of burialplaces. The monuments are of white marble, or of a very rich verd antique found in the neighbourhood; and the natural elegance of the place has induced a taste and elegance into these monuments for the dead, found in no other spot of the same character.

The interior of the episcopal church is purely Gothic, and esteemed in the best taste. The material of the exterior is a brownish trap-rock from the neighbouring mountains, which, from its colour, resembles a very weather-beaten and time-worn. stone, and gives a look of antiquity to the edifice. The cornices and abutments are of what a distinguished writer on the subject calls a sprightly freestone.

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