 | 1838 - 536 páginas
...remote, the romantic, what is doing in Italy or Arabia ; what is Greek Art or Provencal Minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low." A distinguished sculptor was asked, " where when the gods had returned to Olympus, and the iconoclastic... | |
 | Harriet Martineau - 1838 - 318 páginas
...remote, the romantic; what is doing in Italy and Arabia; what is Greek art, or Provenqal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | New Church gen. confer - 1841 - 572 páginas
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provencal minstrelsy. I embrace the common ; I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | 1843 - 452 páginas
...remote, th'e romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provencal minstrelsy. I embrace the common ; I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and the future worlds. What would we really... | |
 | Ralph Waldo Emerson - 1848 - 400 páginas
...remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy ; I embrace the common: I explore and sit at the feet of the familiar —the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1849 - 414 páginas
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provenc,al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1856 - 402 páginas
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Proven^al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Sarah Carter Edgarton Mayo - 1847 - 344 páginas
...remote, the romantic ; what is doing in Italy or Arabia; what is Greek art, or Provensal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1866 - 472 páginas
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1866 - 298 páginas
...remote, the romantic; what is doing in Italy or Arabia ; what is Greek art, or Provencal minstrelsy ; I embrace the common — I explore and sit at the feet of the familiar — the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
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I embrace the common; I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. 
