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Oh, what is abroad in the marsh and the terminal sea?
Somehow my soul seems suddenly free

From the weighing of fate and the sad discussion of sin,

By the length and the breadth and the sweep of the marshes of

Glynn.

Ye marshes, how candid and simple and nothing-withholding and
free

Ye publish yourselves to the sky and offer yourselves to the sea!
Tolerant plains, that suffer the sea and the rains and the sun,
Ye spread and span like the catholic man who hath mightily won
God out of knowledge and good out of infinite pain
And sight out of blindness and purity out of a stain.

As the marsh-hen secretly builds on the watery sod,
Behold I will build me a nest on the greatness of God;
I will fly in the greatness of God as the marsh-hen flies

In the freedom that fills all the space 'twixt the marsh and the skies;
By so many roots as the marsh-grass sends in the sod

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I will heartily lay me a-hold on the greatness of God;
Oh, like to the greatness of God is the greatness within
The range of the marshes, the liberal marshes of Glynn.

And the sea lends large, as the marsh: lo, out of his plenty the sea
Pours fast; full soon the time of the flood-tide must be;

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Look how the grace of the sea doth go

About and about through the intricate channels that flow

Here and there,
Everywhere,

Till his waters have flooded the uttermost creeks and the low-lying

lanes,

And the marsh is meshed with a million veins,

That like as with rosy and silvery essences flow
In the rose-and-silver evening glow.

Farewell, my lord Sun!

The creeks overflow: a thousand rivulets run

"Twixt the roots of the sod; the blades of the marsh-grass stir;
Passeth a hurrying sound of wings that westward whirr;
Passeth, and all is still; and the currents cease to run;
And the sea and the marsh are one.

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How still the plains of the waters be!

The tide is in his ecstasy;

The tide is at his highest height:

And it is night.

And now from the Vast of the Lord will the waters of sleep

Roll in on the souls of men;

But who will reveal to our waking ken

The forms that swim and the shapes that creep

Under the waters of sleep?

And I would I could know what swimmeth below when the tide

comes in

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On the length and the breadth of the marvellous marshes of Glynn. 105 1879.

1878.

HOW LOVE LOOKED FOR HELL

To heal his heart of long-time pain,
One day Prince Love for to travel was fain
With Ministers Mind and Sense.

"Now what to thee most strange may be?"
Quoth Mind and Sense. "All things above,
One curious thing I first would see-
Hell," quoth Love.

Then Mind rode in and Sense rode out;
They searched the ways of man about.
First frightfully groaneth Sense:

""T is here, 't is here,” and spurreth in fear
To the top of the hill that hangeth above,

And plucketh the Prince: "Come, come, 't is here—"

"Where?" quoth Love.

"Not far, not far," said shivering Sense,

As they rode on; "a short way hence

-But seventy paces hence:

Look, King, dost see where suddenly

This road doth dip from the height above?

Cold blew a mouldy wind by me"

("Cold?" quoth Love).

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"As I rode down, and the River was black, And yon-side, lo! an endless wrack

And rabble of souls," sighed Sense;

"Their eyes upturned and begged and burned
In brimstone lakes, and a Hand above
Beat back the hands that upward yearned—”

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"Nay!" quoth Love.

"Yea, yea, sweet Prince; thyself shalt see,

Wilt thou but down this slope with me;

"T is palpable," whispered Sense.

-At the foot of the hill a living rill

Shone, and the lilies shone white above:

"But now 't was black, 't was a river, this rill" ("Black?" quoth Love).

"Ay, black, but lo! the lilies grow;

And yon-side where was woe, was woe,

-Where the rabble of souls," cried Sense,

"Did shrivel and turn and beg and burn,

Thrust back in the brimstone from above

Is banked of violet, rose and fern!" "How?" quoth Love.

"For lakes of pain, yon pleasant plain Of woods and grass and yellow grain Doth ravish the soul and sense:

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"In the heart of sin doth hell begin:

"T is not below, 't is not above,

It lieth within, it lieth within"
("Where?" quoth Love).

"I saw a man sit by a corse;

Hell's in the murderer's breast: remorse!

Thus clamoured his mind to his mind.

Not fleshly dole is the sinner's goal;

Hell's not below, not yet above,

'T is fixed in the ever-damnèd soul—” "Fixed?" quoth Love.

"Fixed: follow me, would'st thou but see;

He weepeth under yon willow tree,

Fast chained to his corse," quoth Mind.

Full soon they passed, for they rode fast,

Where the piteous willow bent above.

"Now shall I see at last, at last,

Hell," quoth Love.

There when they came, Mind suffered shame:

"These be the same and not the same,"

A-wondering whispered Mind.

Lo, face by face two spirits pace
Where the blissful willow waves above:
One saith, "Do me a friendly grace-"
("Grace!" quoth Love):

"Read me two Dreams that linger long, Dim as returns of old-time song

That flicker about the mind.

I dreamed (how deep in mortal sleep!)
I struck thee dead, then stood above,
With tears that none but dreamers weep."
"Dreams," quoth Love.

"In dreams, again, I plucked a flower

That clung with pain and stung with power,

Yea, nettled me, body and mind.”

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""T was the nettle of sin, 't was medicine;

No need nor seed of it here Above;

In dreams of hate true loves begin."
"True," quoth Love.

"Now, strange," quoth Sense; and "Strange," quoth

Mind;

"We saw it, and yet 't is hard to find,

-But we saw it," quoth Sense and Mind.
Stretched on the ground, beautiful-crowned
Of the piteous willow that wreathed above,
"But I cannot find where ye have found
Hell," quoth Love.

1878-79.

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1884.

EMILY DICKINSON

[The selections from Miss Dickinson are here printed with the permission of Little, Brown & Co.]

TO FIGHT ALOUD IS VERY BRAVE

[Copyright, by Martha G. D. Bianchi]

To fight aloud is very brave;

But gallanter, I know,

Who charge within the bosom

The cavalry of woe.

Who win, and nations do not scc;
Who fall, and none observe;
Whose dying eyes no country

Regards with patriot love.

We trust in plumed procession
For such the angels go,

Rank after rank, with even feet
And uniforms of snow.

I DIED FOR BEAUTY

[Copyright, by Martha G. D. Bianchi]

I died for beauty, but was scarce

Adjusted in the tomb

When one who died for truth was lain
In an adjoining room.

1891.

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