CEA Critic, Volumes 46-47Department of English, Texas A & M University., 1983 |
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The Triumph of The Middle Ground | 9 |
Religious Ambiguities in Whos Afraid of Virginia Woolf? | 20 |
zy The Nurses Delay in Romeo and Juliet | 30 |
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aesthetic American Antipholus Antony Antony and Cleopatra Auden audience become Borges Bucknell University CARRUTH characters Chaucer Cleopatra College English Association Comedy Cordelia Correggio Correggio's critical death dramatic dream edition Enkidu epilogue essay experience Falstaff father feel fiction film final George Orwell Gilgamesh Gulliver Harry Hawthorne Hawthorne's Henry hermeneutics human imagination interpretation Isabel James John Johnson Juliet King Lear language Lear's literary literature live Lord Annan Macbeth meaning metaphor Milton mind modernist modernist poetry narrative narrator Nazareth College novel Orwell Pardoner Pardoner's past play play's poem poet poetic poetry political present prologue pryvetee reader reality Renaissance rhetoric role Roman Romeo Scarlet Letter scene seems sense Shakespeare speech stage story street structure suggests T. S. Eliot tale tells things thought tion tragedy tragic University Utnapishtim Virginia Woolf vision WEINREB witches words writing York