Imagens da página
PDF
ePub

Or with these hands the cruel stroke repel,
As I shall forge most envied arms, the gaze
Of wondering ages, and the world's amaze!”

Thus having said, the father of the fires
To the black labors of his forge retires.
Soon as he bade them blow, the bellows turn'd
Their iron mouths; and where the furnace burn'd,
Resounding breathed : at once the blast expires,
And twenty forges catch at once the fires;
Just as the god directs, now loud, now low,
They raise a tempest, or they gently blow;
In hissing flames huge silver bars are rollid,
And stubborn brass, and tin, and solid gold ;
Before, deep fix'd, the eternal anvils stand;
The ponderous hammer loads his better hand,
His left with tongs turns the vex'd metal round,
And thick, strong strokes, the doubling vaults rebound.

Then first he form'd the immense and solid shield; Rich various artifice emblazed the field ; Its utmost verge a threefold circle bound; A silver chain suspends the massy round; Five ample plates the broad expanse compose, And godlike labors on the surface rose. There shone the image of the master-mind : There earth, there heaven, there ocean he design'd; The unwearied sun, the moon completely round; The starry lights that heaven's high convex crown'd; The Pleiads. Hyads, with the northern team; And great Orion's more refulgent beam : To which, around the axle of the sky, The Bear, revolving, points his golden eye, Still shines exalted on the ethereal plain, Nor bathes his blazing forehead in the main.

Two cities radiant on the shield appear,

*

* Quintus Calaber, lib. v., has attempted to rival Homer in his description of the shield of the same hero. A few extracts from Mr. Dyce's verses (Seiect Translations, p. 104, seq.) may here be introduced.

In the wide circle of the shield were seen
Refulgent images of various forms,
The work of Vulcan, who had there described
The heaven, the ether, and the earth and sea,
The winds, the clouds, the moon, the sun, apart
In different stations; and you there might view
The stars that gem the still-revolving heaven,
And, under them, the vast expanse of air,
In which, with outstre:ch'd wings, the long-beak'd birds
Winnow'd the gale, as if instinct with life.
Around the shield the waves of ocean flow'd,
The realms of Tethys, which unnumber'd streams,
In azure mazes rolling o'er the earth,
Seem'd to augment.

The image one of peace, and one of war.
Here sacred pomp and genial feast delight,
And solemn dance, and hymeneal rite;
Along the street the new-made brides are' d,
With torches flaming, to the nuptial bed :
The youthful dancers in a circle bound,
To the soft fute, and cithern's silver sound :
Through the fair streets the matrons in a row
Stand in their porches, and enjoy the show.

There in the forum swarm a numerous train;
The subject of debate, a townsman slain :
One pleads the fine discharged, which one denied,
And bade the public and the laws decide :
The wiiness is produced on either hand :
Fo this, or that, the partial people stand:
The appointed heralds still the noisy bands,
And form a ring, with sceptres in their hands :
On seats of stone, within the sacred place, *
The reverend elders nodded o'er the case ;
Alternate, each the attesting sceptre took,
And rising solemn, each his sentence spoke
Two golden talents lay amidst, in sight,
The prize of him who best adjudged the right.

Another part (a prospect differing far) † Glow'd with refulgent arms, and horrid war. Two mighty hosts a leaguer'd town embrace, And one would pillage, one would burn the place. Meantime the townsmen, arm’d with silent care, A secrot ambush on the foe prepare ; Their wives, their children, and the watchful band Of trembling parents, on the turrets stand. They march; by Pallas and by Mars made bold :

Gold were the gods, their radiant garments gold, * On seats of stone. “ Several of the old northern Sagas represent the old inen assembled for the purpose of judging as sitting on great stones, in a circle called the Urtheilsring or gerichtsring:”—Grote, ii. p. 100, note. On the independence of the judicial office in the heroic times, see Thirlwall's Greece, vol. i. p. 166. † Another part, &c.

6 And here
Were horrid wars depicted ; grimly pale,
Were heroes lying with their slaughter'd steeds
Upon the ground incarnadin'd with blood.
Stern stalked Bellona, smear'd with reaking gore,
Through charging ranks; beside her Rout was see
And Terror, Discord to the fatal strife
Inciting men, and Furies breathing flames:
Nor absent were the Fates, and the tall shape
Of ghastly Death, round whom did Battles throng,
Their limbs distilling plenteous blood and sweat ;
And Gorgons, whose long locks were twisting snakes,
That shot their forky tongues incessant forth.
Such were the horrors of dire war."-Dyce's Calaber.

And gold their armor : these the squadron led,
August, divine, superior by the head !
A place for ambush fit they found, and stood,
Cover'd with shields, beside a silver flood.
Two spies at distance lurk, and watchful seem
If sheep or oxen seek the winding stream.
Soon the white flocks proceeded o'er the plains,
And steers slow-moving, and two shepherd swains;
Behind them piping on their reeds they go,
Nor fear an ambush, nor suspect a foe.
In arms the glittering squadron rising round
Rush sudden ; hills of slaughter heap the ground;
Whole flocks and herds lie bleeding on the plains,
And, all amidst them, dead, the shepherd swains !
The bellowing oxen the besiegers hear;
They rise, take horse, approach, and meet the war,
They fight, they fall, beside the silver flood;
The waving silver seem'd to blush with blood.
There Tumult, there Contention stood confess'd;
One rear'd a dagger at a captive's breast;
One held a living foe, that freshly bled
With new-made wounds; another dragg'd a dead;
Now here, now there, the carcases they tore:
Fate stalk'd amidst them, grim with human gore.
And the whole war came out, and met the eye ;
And each bold figure seem'd to live or die.

A field deep furrow'd next the god design’d, *
The third time labor'd by the sweating hind;
The shining shares full many ploughmen guide,
And turn their crooked yokes on every side.
Still as at either end they wheel around,
The master meets them with his goblet crown'd;
The hearty draught rewards, renews their toil,
Then back the turning ploughshares cleave the soil
Behind, the rising earth in ridges roll’d;
And sable look'd, though form'd of molten gold,

Another field rose high with waving grain ;

* A fieid deep furrowed.

“Here was a corn field ; reapers in a row,

Each with a sharp-tooth'd sickle in his hand,
Work'd busily, and, as the harvest fell,
Others were ready still to bind the sheaves :
Yoked to a wain that bore the corn away
The steers were moving ; sturdy bullocks here
The plough were drawing, and the furrow'd glebe
Was black behind them, whie with goading wand
The active youths impell’d teem. Here a feast
Was graved : to the shrill pipe and ringing lyre.
A band of biooming virgins !ed the dance,
As if endued with life."--DOjcc's Calaber.

With bended sickles stand the reaper train :
Here stretched in ranks the levell d swarths are found,
Sheaves heap'd on sheaves here thicken up the ground.
With sweeping stroke the mowers strow the lands;
The gatherers follow, and collect in bands;
And last the children, in whese arms are borne
(Too short to gripe them) the brown sheaves of corn.
The rustic monarch of the field descries,
With silent glee, the heaps around him rise.
A ready banquet on the turf is laid,
Beneath an ample oak's expanded shade.
The victim ox the sturdy youth prepare;
The reaper's due repast, the woman's care.

Next, ripe in yellow gold, a vineyard shines,
Bent with the ponderous harvest of its vines;
A deeper dye the dangling clusters show,
And curl'd on silver props, in order glow :
A darker metal mix'd intrench'd the place ;
And pales of glittering tin the inclosure grace.
To this, one pathway gently winding leads,
Where march a train with baskets on their heads
(Fair maids and blooming youths), that smiling bear
The purple product of the autumnal year.
To these a youth awaees the warbling strings,
Whose tender lay the fate of Linus sings;
In measured dance behind him move the train,
Tune soft the voice, and answer to the strain.

Here herds of oxen march, erect and bold,
Rear high their horns, and seem to low in gold,
And speed to meadows on whose sounding shores
A rapid torrent through the rushes roars :
Four golden herdsmen as their guardians stand,
And nine sour dogs complete the rustic band.
Two lions rushiņg from the wood appear’d;
And seized a bull, the master of the herd :
He roar’d: in vain the dogs, the men withstood;
'They tore his flesh, and drank his sable blood.
The dogs (oft cheer'd in vain) desert the prey,
Dread the grim terrors, and at distance bay.

Next this, the eye the art of Vulcan leads
Deep through fair forests, and a length of meads,
Vnd stalls, and folds, and scatter'd cots between;
And fleecy flocks, that whiten all the scene.

A figured dance succeeds; such once was seen
In lofty Gnossus for the Cretan queen,
Form’d by Dædalean art; a comely band
Of youths and maidens, bounding hand in hand.

[ocr errors][ocr errors]

The maids in soft simars of linen dress’d;
The youths all graceful in the glossy vest:
Of those the locks with flowery wreath inrolld;
Of these the sides adorn'd with swords of gold,
That glittering gay, from silver belts depend.
Now all at once they rise, at once descend,
With well-taught feet: now shape in oblique ways,
Confusedly regular, the moving maze:
Now forth at once, too swift for sight, they spring,
And undistinguish'd blend the flying ring
So whirls a wheel, in giddy circle toss’d,
And, rapid as it runs, the single spokes are lost.
The gazing multitudes admire around :
Two active tumblers in the centre bound;
Now high, now low, their pliant limbs they bend :
And general songs the sprightly revel end.

Thus the broad shield complete the artist crown'd
With his last hand, and pour'd the ocean round:
In living silver seem'd the waves to roll,
And beat the buckler's verge, and bound the whole.

This done, whate'er a warrior's use requires
He forged; the cuirass that outshone the fires,
The greaves of ductile tin, the helm impress’d
With various sculpture, and the golden crest.
At Thetis' feet the finished labor lay :
She, as a falcon cuts the aërial way,
Swift from Olympus' snowy summit flies,

And bears the blazing present through the skies.* * Coleridge (Greek Classic Poets, p. 182, seq.) has diligently compared is with the description of the shield of Hercules by Hesiod. He remarks that, “ with two or three exceptions, the imagery differs in little more than the names and arrangements; and the difference of arrangement in the shield of Hercules is altogether for

The natural consecution of the Homeric images needs no exposition : it constitutes in itself one of the beauties of the work. The Hesiodic images are huddled together without connection or congruity : Mars and Pallas are awkwardly introduced among the Centaurs and Lapithæ ;-but the gap is wide indeed between hem and Apollo with the Muses, waking the echoes of Olympus to celestial harmonies ; whence, however, we are burried back to Perseus, the Gorgons, and other images of war, over an arm of the sca, in which the sporting dolphins, the fugitive fishes, and the fisherman on the shore with his casting net, are minutely represented. As to the Hesiodic images themselves, the leading remark is, that they catch at beauty by ornament, and at sublimity by exaggeration ; and upon the untenab.e supposition of the genuineness of this poem, there is this curious peculiarity, that, in the description of scenes of rustic peace, the superiority of Homer is decisive-while in those of war and tumult it may be thought, perhaps, that the Hesiodic poet has nore than once the advantage."

the worse.

« AnteriorContinuar »