Dynamics of Drama: Theory and Method of Analysis, Band 10

acrobat action active segment actor actual amplitude analysis Aran islanders artistic aspect audience aware Ayamonn Bartley behavior Blanche BRACK Cathleen Caucasian Chalk Circle character Chekhov Cherry Orchard confrontation contemporary contrast create crux debate decrescence defined direct dramatic activity dramatic segment dramatist E. H. Gombrich Electra elements Elizabethan emotional ence energy existence experience expression extensive mode FIERS GAYEFF gesture Hedda Gabler human Ibsen illusion imagined act inner instance intensification intensity King Lear LOPAHIN Lövborg LYUBOFF ANDREEVNA Macbeth Maurya meaning Menelaus ment nature oblique occurs pattern performer physical play plot precipitating context presentation produce project and resistance reaction reactive response reveals rhythm Ross Samuel Beckett scene script sense sequence Shakespeare shape shift skill social spatial spectator speech stage Stanley Streetcar Streetcar Named Desire structure subsegment Synge temporal tends tension Tesman Teucer Thea theater theatrical segment tion TROFIMOFF turn VARYA visual wire word