Manual of the Fine Arts, Critical and Historical: With an Introduction by D. Huntington, M.A.A. S. Barnes & Company, 1879 - 476 páginas |
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Página 4
... Rome . - Fabius Pictor . - Nero . - The catacombs . - Constantine . - Favourite composition of early Christians . - Decline . - Zeal of Charlemagne . - Churches . -Illuminated MSS . - Art nurtured by ecclesiastics . - Synod of Arras ...
... Rome . - Fabius Pictor . - Nero . - The catacombs . - Constantine . - Favourite composition of early Christians . - Decline . - Zeal of Charlemagne . - Churches . -Illuminated MSS . - Art nurtured by ecclesiastics . - Synod of Arras ...
Página 5
... Rome . - First impressions . - Dis- appointment . - New perception of art . - Return to England . - Opposition.- Royal Academy . - First president . - Public discourses . - Style of portraiture . --- Portraits of eminent personages ...
... Rome . - First impressions . - Dis- appointment . - New perception of art . - Return to England . - Opposition.- Royal Academy . - First president . - Public discourses . - Style of portraiture . --- Portraits of eminent personages ...
Página 7
... Rome . - Modern art . - Capa- bilities of Christian subjects for sculpture . - Perfection of style . - Mode of imitation . - Degree of resemblance proposed . - Chief object of imitation.- Relative effect . - Sculpture in the time of ...
... Rome . - Modern art . - Capa- bilities of Christian subjects for sculpture . - Perfection of style . - Mode of imitation . - Degree of resemblance proposed . - Chief object of imitation.- Relative effect . - Sculpture in the time of ...
Página 8
... Rome . - Incessant ap- plication . - Best works . - Michael and Satan . - Power of invention . - Sim- plicity . - BANKS . - Application . - Premiums . - Sent to Rome . - State of the arts when Banks began his studies . - Advantage of ...
... Rome . - Incessant ap- plication . - Best works . - Michael and Satan . - Power of invention . - Sim- plicity . - BANKS . - Application . - Premiums . - Sent to Rome . - State of the arts when Banks began his studies . - Advantage of ...
Página 9
... Rome . - Size of the building . - Western façade . - St . Paul's church , London . - Power of expres- sion in architecture . - BRITISH ARCHITECTURE . - Wall of Severus . - Pie- ranzabuloe . - Roman buildings . - Stonehenge . - Church at ...
... Rome . - Size of the building . - Western façade . - St . Paul's church , London . - Power of expres- sion in architecture . - BRITISH ARCHITECTURE . - Wall of Severus . - Pie- ranzabuloe . - Roman buildings . - Stonehenge . - Church at ...
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Manual of the Fine Arts, Critical and Historical: With an Introduction by D ... Miss Ludlow Visualização completa - 1879 |
Termos e frases comuns
Academy admiration alto-relievo ancient antique Apollodorus appears Architect architecture artist beauty born called celebrated century character chiaroscuro church Cimabue colossal colour columns composed composition copy Dædalus delight Doric order drapery drawing effect Egyptian elegance eminent England Engraver Etruscan excellence executed exhibited expression father feeling feet figures finished genius Giorgione give grace grandeur Grecian Greece Greeks hand harmony head historical honour imagination imitation invention Ital Italian Italy king labour landscape light Lysippus manner marble masters merit Michael Angelo mind nature never objects opera original ornament Painter painting palace Paul Veronese pencil perfect Phidias picture poet poetry portrait practised Praxiteles principles produced Pythagoras Raphael Rembrandt represented Reynolds Roman Rome says scene sculpture seems Sicyon sketches soul spirit statues style sublime talents taste temple Terpander thing Timanthes Tintoretto tion Titian touch truth Venetian school West whole
Passagens mais conhecidas
Página 449 - Thou'dst meet the bear i' the mouth. When the mind's free The body's delicate; the tempest in my mind Doth from my senses take all feeling else Save what beats there.
Página 19 - A primrose by the river's brim A yellow primrose is to him, And it is nothing more...
Página 265 - And it came to pass, as they were burying a man, that, behold, they spied a band of men ; and they cast the man into the sepulchre of Elisha : and when the man was let down, and touched the bones of Elisha. he revived, and stood up on his feet.
Página 15 - Delightful Scenes, whether in Nature, Painting, or Poetry, have a kindly Influence on the Body, as well as the Mind, and not only serve to clear and brighten the Imagination, but are able to disperse Grief and Melancholy, and to set the Animal Spirits in pleasing and agreeable Motions.
Página 18 - own exceeding great reward;' it has soothed my afflictions; it has multiplied and refined my enjoyments ; it has endeared solitude ; and it has given me the habit of wishing to discover the good and the beautiful in all that meets and surrounds me.
Página 449 - But I will punish home: No, I will weep no more. In such a night To shut me out! Pour on; I will endure. In such a night as this! O Regan, Goneril! Your old kind father, whose frank heart gave all O, that way madness lies; let me shun that; No more of that.
Página 440 - full of noises, Sounds, and sweet airs, that give delight, and hurt not.
Página 146 - I have endeavoured to treat my subjects as a dramatic writer ; my picture is my stage, my men and women my players, who, by means of certain actions and gestures, are to exhibit a dumb show.
Página 455 - The chorus in which that opera abounds gives the parterre frequent opportunities of joining in concert with the stage. This inclination of the audience to sing along with the actors, so prevails with them, that I have sometimes known the performer on the stage do no more in a celebrated song, than the clerk of a parish church, who serves only to raise the psalm, and is afterwards drowned in the music of the congregation.
Página 155 - I proceeded to copy some of those excellent works. I viewed them again and again ; I even affected to feel their merit and admire them more than I really did.