 Sighs," which is the centre of the Byronic ideal of Venice; no great merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest: the statue which Byron makes Faliero address...  The New Monthly Magazine - Página 3341854Visualização completa - Sobre este livro
 | Henry Allon - 1853 - 628 páginas
...worth rememlwing, or whoso sorrow deserved sympathy, ever crossed that ' Bridge of Sighs," which it* the centre of the Byronic ideal of Venice ; no great merchant of Vcnioo over saw that Rialto, under which the traveller now jw-sMes with breathless interest; the statue... | |
 | John Ruskin - 1853 - 456 páginas
...been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere eiflorescence of decay, a stage dream which the first ray of daylight...Venice ; no great merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest: the statue which Byron makes... | |
 | 1853 - 1042 páginas
...discerning, the objects to which they ought to have been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage dream, wliich the first ray of light must dissipate into dust. No prisoner, whose name is worth remembering,... | |
 | 1854 - 632 páginas
...of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream, which the first ray of daylight must dissipate into dust. No prisoner whose name is wonh remembering, or whose sorrow deserved sympathy, ever crossed that ' Bridge of Sighs,' which is... | |
 | John Ruskin, Louisa Caroline Tuthill - 1859 - 504 páginas
...Venice of Modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream which the first ray of daylight must dissipate into...Venice ; no great Merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest : the statue, which Byron makes... | |
 | John Ruskin, Louisa Caroline Tuthill - 1859 - 496 páginas
...Venice of Modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream which the first ray of daylight must dissipate into...Venice ; no great Merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest : the statue, which Byron makes... | |
 | William Dean Howells - 1867 - 412 páginas
...of daylight must dissipate into dust. No prisoner whose name is worth remembering, or whose sorrows deserved sympathy, ever crossed that Bridge of Sighs,...Venice ; no great merchant of Venice ever saw that liialto under which the traveler now pauses with breathless interest ; the statue which Byron makes... | |
 | John Ruskin - 1867 - 458 páginas
...discerning, the objects to Avhich they ought to have been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay,...which the first ray of daylight must dissipate into dnst. No prisoner, whose name is worth remembering, or whose sorrow deserved sympathy, ever crossed... | |
 | William Dean Howells - 1867 - 408 páginas
...of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream, which the first ray of daylight must dissipate into...prisoner whose name is worth remembering, or whose sorrows deserved sympathy, ever crossed that Bridge of Sighs, which is the centre of the Byronic ideal... | |
 | John Ruskin - 1868 - 506 páginas
...discerning, the objects to which they ought to have been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay,...Venice ; no great merchant of Venice ever saw that Rialto under which the traveller now passes with breathless interest : the statue which Byron makes... | |
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