Gender, Genre, and the Romantic Poets: An IntroductionManchester University Press, 1996 - 170 Seiten This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study. |
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Seite 32
... death . To quote Cixous once more : ' the movement by which each opposition is set up to produce meaning is the movement by which the couple is destroyed . A uni- versal battlefield . Each time a war breaks out . Death is always at work ...
... death . To quote Cixous once more : ' the movement by which each opposition is set up to produce meaning is the movement by which the couple is destroyed . A uni- versal battlefield . Each time a war breaks out . Death is always at work ...
Seite 51
... death . For , if death is the Other , life is a third party , and as this significa- tion , asserted by the child , is disquieting , it might well unsettle the speaker's paranoid enclosure.27 The child , as an embodiment of ' life ' as ...
... death . For , if death is the Other , life is a third party , and as this significa- tion , asserted by the child , is disquieting , it might well unsettle the speaker's paranoid enclosure.27 The child , as an embodiment of ' life ' as ...
Seite 99
... death closely associated with a fear of the ' feminine ' and , specifically , the maternal . The ' fem- inine ' / maternal leads to death of the self ( ' Suckled to my grave ' ) and can be countered only by an appeal to a more ...
... death closely associated with a fear of the ' feminine ' and , specifically , the maternal . The ' fem- inine ' / maternal leads to death of the self ( ' Suckled to my grave ' ) and can be countered only by an appeal to a more ...
Inhalt
Acknowledgements page | 1 |
Samuel Taylor Coleridge and Anna Laetitia Barbauld | 22 |
William Wordsworth | 38 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abrams actor ambiguous appear Astarte attempts Auranthe Barbauld binary oppositions Bloom Byron chapter child Cixous closet drama Coleridge Coleridge's criticism cultural deconstructive Demogorgon Derrida described desire discourse discussion earlier effeminacy epic essay example female feminine Feminism Freud and Love gender and genre gender difference Harold Bloom Hazlitt Hélène Cixous identity implicitly Jerome McGann John Keats Kean's Keats's Kristeva language literary London Ludolph Lyrical Ballads male Manfred Manfred's masculine McGann Mellor Milton mind mystery narcissistic narrative nature notes notion object observes offered Otho paradox pastoral perceived performance play poem poet's poetry Prelude present primary narcissism Prometheus Unbound Rajan reader rejection relation relationship reveals role Romantic Ideology Romantic poets Romanticism Romanticism and Gender scene seen sense sexual Shelley Shelley's social sonnet Stuart Curran subject position sublime suggest tensions theatre theory Tintern Abbey tion Todorov traditional tragedy whilst William Hazlitt William Wordsworth Women Wordsworth writing