Gender, Genre, and the Romantic Poets: An IntroductionManchester University Press, 1996 - 170 Seiten This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study. |
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Seite 13
... concerned as they were with the effects on hierarchy should everyone freely pursue worldly pleasure . A persistent and fundamental concern was the mean- ing of changed manners for manhood , traditionally bound up with clas- sical and ...
... concerned as they were with the effects on hierarchy should everyone freely pursue worldly pleasure . A persistent and fundamental concern was the mean- ing of changed manners for manhood , traditionally bound up with clas- sical and ...
Seite 22
... concern , then , is to demonstrate how the binary oppositions of masculine and feminine are mediated through the ' other categories of difference ' to be found within the ' cultural discourse ' of literary pastoral and to demonstrate ...
... concern , then , is to demonstrate how the binary oppositions of masculine and feminine are mediated through the ' other categories of difference ' to be found within the ' cultural discourse ' of literary pastoral and to demonstrate ...
Seite 135
... concerned with physical action and the depiction of events taking place in the material world . The coupling of this ... concern of the pre- sent book , and each binary opposition has been seen to be gendered in terms of ' masculine ...
... concerned with physical action and the depiction of events taking place in the material world . The coupling of this ... concern of the pre- sent book , and each binary opposition has been seen to be gendered in terms of ' masculine ...
Inhalt
Acknowledgements page | 1 |
Samuel Taylor Coleridge and Anna Laetitia Barbauld | 22 |
William Wordsworth | 38 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abrams actor ambiguous appear Astarte attempts Auranthe Barbauld binary oppositions Bloom Byron chapter child Cixous closet drama Coleridge Coleridge's criticism cultural deconstructive Demogorgon Derrida described desire discourse discussion earlier effeminacy epic essay example female feminine Feminism Freud and Love gender and genre gender difference Harold Bloom Hazlitt Hélène Cixous identity implicitly Jerome McGann John Keats Kean's Keats's Kristeva language literary London Ludolph Lyrical Ballads male Manfred Manfred's masculine McGann Mellor Milton mind mystery narcissistic narrative nature notes notion object observes offered Otho paradox pastoral perceived performance play poem poet's poetry Prelude present primary narcissism Prometheus Unbound Rajan reader rejection relation relationship reveals role Romantic Ideology Romantic poets Romanticism Romanticism and Gender scene seen sense sexual Shelley Shelley's social sonnet Stuart Curran subject position sublime suggest tensions theatre theory Tintern Abbey tion Todorov traditional tragedy whilst William Hazlitt William Wordsworth Women Wordsworth writing