Dickens to Hardy, 1837-1884: The Novel, the Past and Cultural Memory in the Nineteenth Century

appears arguably arrives articulation attention authority Betteredge Betteredge’s Births and Publications chapter characters Collins’s concerning consciousness Cranford critical cultural memory Cytherea deaths scientific events Desperate Remedies Dickens Dickens’s difference discourse Dorothea double Eagleton effect Eliot Eliot’s Elizabeth Gaskell encrypted English experience eyes fiction figure first-person narrative Franklin Blake Gaskell Gaskell’s gaze George Eliot given Hardy’s haunted historical events music historicized ideological illumination invisible literary Lydgate Mark Wormald marks material mediation Middlemarch Miss modern Moonstone motion MSPL music and visual narration narrative nineteenth century novel novelist observed one’s opening particular past perceived perception perspective Pickwick Papers Political and deaths present produced reader reflection relation relief remarks representation Samuel Pickwick scene self-reading sense signs singular social Stancy structure synecdoche takes place temporal Thomas Hardy threads tion tive traces transformation translation transmission Trollope tropes Trumpet-Major undecidability Victorian Victorian literature visible vision weave Wilkie Collins writing