ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 Seiten This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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Seite 28
... structures of power and the received ideas that lock those structures down . The second key factor in the cultural revolution of the Renais- sance which I wish to stress is indivisible from the first . For complex reasons rooted in the ...
... structures of power and the received ideas that lock those structures down . The second key factor in the cultural revolution of the Renais- sance which I wish to stress is indivisible from the first . For complex reasons rooted in the ...
Seite 107
... structure , but can serve instead to consolidate it , so a temporary , playful reversal of sexual roles can renew the meaning of the normal relation'.1 Still dominating the reading - lists alongside Barber is Northrop Frye's study of ...
... structure , but can serve instead to consolidate it , so a temporary , playful reversal of sexual roles can renew the meaning of the normal relation'.1 Still dominating the reading - lists alongside Barber is Northrop Frye's study of ...
Seite 108
... structure of society is left unchanged by the comic ac- tion , can scarcely be faulted as far as it goes . But it fails to see that what is dramatically altered by Shakespearean comedy is our perception of that stratified structure ...
... structure of society is left unchanged by the comic ac- tion , can scarcely be faulted as far as it goes . But it fails to see that what is dramatically altered by Shakespearean comedy is our perception of that stratified structure ...
Inhalt
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
Urheberrecht | |
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Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Keine Leseprobe verfügbar - 1964 |
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2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London