ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 Seiten This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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Seite 111
... romance dislocates and reshapes the present mo- ment of history , and so ' serves to stimulate in its readers a desire ... romances of Shakespeare are engaged , I would suggest , in the dramatisation of just such a vision . These plays ...
... romance dislocates and reshapes the present mo- ment of history , and so ' serves to stimulate in its readers a desire ... romances of Shakespeare are engaged , I would suggest , in the dramatisation of just such a vision . These plays ...
Seite 151
... Romances Reconsidered ( Lincoln , Nebr . , 1978 ) . Useful surveys of previous criticism on the romances are furnished by Philip Edwards , ' Shakespeare's romances : 1900–1957 ' , Shakespeare Survey , 11 ( 1958 ) , pp . 1-18 ; F. D. ...
... Romances Reconsidered ( Lincoln , Nebr . , 1978 ) . Useful surveys of previous criticism on the romances are furnished by Philip Edwards , ' Shakespeare's romances : 1900–1957 ' , Shakespeare Survey , 11 ( 1958 ) , pp . 1-18 ; F. D. ...
Seite 164
... romances Romeo and Juliet , 75–86 balcony scene , 81-2 conventional readings , 75-7 feminist readings , 77 language ... romance , 126–9 complicity , 133–5 criticism on , 125–6 ending , 134–5 utopia , 129-30 Tennenhouse , Leonard , 11–12 ...
... romances Romeo and Juliet , 75–86 balcony scene , 81-2 conventional readings , 75-7 feminist readings , 77 language ... romance , 126–9 complicity , 133–5 criticism on , 125–6 ending , 134–5 utopia , 129-30 Tennenhouse , Leonard , 11–12 ...
Inhalt
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
Urheberrecht | |
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Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Keine Leseprobe verfügbar - 1964 |
Häufige Begriffe und Wortgruppen
2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London