ShakespearePrentice Hall, Harvester Wheatsheaf, 1995 - 165 Seiten This text mounts a challenge to orthodox and oppositional critics who continue to regard Shakespearian drama as conservative in intent or effect. |
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... Dollimore's bent confirm rather than dispute the coarse supposition of traditionalists like Tillyard that Shakespeare's plays enforce the political , moral and philo- sophical outlook of those who ruled his world . The ( far from ...
... Dollimore's bent confirm rather than dispute the coarse supposition of traditionalists like Tillyard that Shakespeare's plays enforce the political , moral and philo- sophical outlook of those who ruled his world . The ( far from ...
Seite 137
... Dollimore , Radical Tragedy : Religion , Ideology and Power in the Drama of Shakespeare and His Contempo- raries ... Dollimore and Alan Sinfield ( eds ) , Political Shakespeare : Essays in Cultural Materialism , 2nd edn ( Manchester ...
... Dollimore , Radical Tragedy : Religion , Ideology and Power in the Drama of Shakespeare and His Contempo- raries ... Dollimore and Alan Sinfield ( eds ) , Political Shakespeare : Essays in Cultural Materialism , 2nd edn ( Manchester ...
Seite 138
... Dollimore , ' Introduction : Shakespeare , cultural materialism and the new historicism ' , in Political Shakespeare , ed . Dollimore and Sinfield , 2nd edn , p . 4 . 8. Francis Barker and Peter Hulme , ' Nymphs and reapers heavily ...
... Dollimore , ' Introduction : Shakespeare , cultural materialism and the new historicism ' , in Political Shakespeare , ed . Dollimore and Sinfield , 2nd edn , p . 4 . 8. Francis Barker and Peter Hulme , ' Nymphs and reapers heavily ...
Inhalt
1 and 2 Henry IV | 40 |
the subversive imagination | 70 |
the utopian | 106 |
Urheberrecht | |
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Shakespeare, 1564-1964: A Collection of Modern Essays by Various Hands Brown University,Edward Alan Bloom Keine Leseprobe verfügbar - 1964 |
Häufige Begriffe und Wortgruppen
2nd edn actual Alternative audience authority become Chapter comedies common conventional criticism cultural Deconstruction desire difference Dollimore drama effect Elizabethan English English Studies Essays experience fact future gender give Hamlet Henry Henry IV human Ibid identity ideology imagination interpretation Jameson John kind King Lear language less Literary literature lives London Macbeth Manchester Marxism meaning Merchant of Venice misogyny moral narrative nature once opening original Othello Oxford past perspective Peter play play's Political possible practice present production Prospero question radical reading reality recent Renaissance revised role romances Romeo and Juliet ruled scene sense sexual Shake Shakespeare Shylock Sinfield social society speech stage structure Tempest theatre Theory things thou tion Tradition tragedy tragic turn universal values vision voice women York York and London