The Complete Works of Samuel Taylor Coleridge: Notes and lectures upon Shakspeare, and some of the old poets and dramatists, with other literary remains of S.T. ColeridgeHarper & Brothers, Franklin Square, 1884 |
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Seite x
... genius , and an affectionate desire to help in ex- tending its beneficial influence . The contents of this volume are drawn from a portion only of the manuscripts intrusted to the Editor : the remainder of the collection , which , under ...
... genius , and an affectionate desire to help in ex- tending its beneficial influence . The contents of this volume are drawn from a portion only of the manuscripts intrusted to the Editor : the remainder of the collection , which , under ...
Seite xiii
... Genius ..... Recapitulation , and Summary of the Characteristics of Shakspeare's Dramas Outline of an Introductory Lecture upon Shakspeare .... Order of Shakspeare's Plays ..... Notes on the Tempest Love's Labor's Lost . .... Midsummer ...
... Genius ..... Recapitulation , and Summary of the Characteristics of Shakspeare's Dramas Outline of an Introductory Lecture upon Shakspeare .... Order of Shakspeare's Plays ..... Notes on the Tempest Love's Labor's Lost . .... Midsummer ...
Seite 17
... genius ; or rather that the contradistinction itself between judgment and genius rested on an utterly false theory . This , and its proofs and grounds have been - I should not have said adopted , but produced as their own legitimate ...
... genius ; or rather that the contradistinction itself between judgment and genius rested on an utterly false theory . This , and its proofs and grounds have been - I should not have said adopted , but produced as their own legitimate ...
Seite 21
... genius itself ; and though it comprises whatever can with any propriety be called a poem ( unless that word be a mere lazy synonyme for a composition in metre ) , it yet becomes a just , and not merely discriminative , but full and ...
... genius itself ; and though it comprises whatever can with any propriety be called a poem ( unless that word be a mere lazy synonyme for a composition in metre ) , it yet becomes a just , and not merely discriminative , but full and ...
Seite 22
... genius , which sustains and modifies the emotions , thoughts , and vivid representations of the poem by the energy without effort of the poet's own inind , -by the spontaneous activity of his imagination and fancy , and by whatever else ...
... genius , which sustains and modifies the emotions , thoughts , and vivid representations of the poem by the energy without effort of the poet's own inind , -by the spontaneous activity of his imagination and fancy , and by whatever else ...
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Häufige Begriffe und Wortgruppen
admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama especially excellent excite express exquisite fancy feeling former genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear Lecture Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste Theobald thing thou thought tion Titus Andronicus tragedy true truth understanding unity verse Warburton whole words writers
Beliebte Passagen
Seite 170 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
Seite 55 - Nature, the prime genial artist, inexhaustible in diverse powers, is equally inexhaustible in forms; each exterior is the physiognomy of the being within, — its true image, reflected and thrown out from the concave mirror...
Seite 55 - The form is mechanic, when on any given material we impress a predetermined form, not necessarily arising out of the properties of the material ; as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate: it shapes, as it develops, itself from within, and the fullness of its development is one and the same with the perfection of its outward form.
Seite 81 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Seite 158 - Tis now the very witching time of night; When churchyards yawn, and hell itself breathes out Contagion to this world: Now could I drink hot blood, And do such business as the bitter day Would quake to look on.
Seite 324 - God ; and for the same cause art itself might be defined as of a middle quality between a thought and a thing, or as I said before, the union and reconciliation of that which is nature with that which is exclusively human.
Seite 114 - How oft when men are at the point of death Have they been merry! which their keepers call A lightning before death: O, how may I Call this a lightning!
Seite 143 - Hence we see a great, an almost enormous intellectual activity, and a proportionate aversion to real action, consequent upon it, with all its symptoms and accompanying qualities. This character, Shakespeare places in circumstances under which it is obliged to act on the spur of the moment : Hamlet is brave and careless of death; but he vacillates from sensibility, and procrastinates from thought, and loses the power of action in the energy of resolve.
Seite 160 - There's such divinity doth hedge a king, That treason can but peep to what it would, Acts little of his will.
Seite 74 - It addresses itself entirely to the imaginative faculty ; and although the illusion may be assisted by the effect on the senses of the complicated scenery and decorations of modern times, yet this sort of assistance is dangerous. For the principal and only genuine excitement ought to come from within, — from the moved and sympathetic imagination...