Shakespeare's Comedy of LoveRoutledge, 11.10.2013 - 288 Seiten First published in 1987. |
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Seite xii
... in Much Ado About Nothing is to miss half the play. Even within particular plays the ground keeps changing: much of the dramatic life of a play like As You Like It (as I will try to show in a later chapter) depends on swift, unpredictable ...
... in Much Ado About Nothing is to miss half the play. Even within particular plays the ground keeps changing: much of the dramatic life of a play like As You Like It (as I will try to show in a later chapter) depends on swift, unpredictable ...
Seite 5
... throughout the play. Yet, as with many such devices, it requires only a twist of emphasis, or a new situation, to ... play, Aegeon pleads with his son to save his life, and his son refuses to acknowledge him. The effect is to show how ...
... throughout the play. Yet, as with many such devices, it requires only a twist of emphasis, or a new situation, to ... play, Aegeon pleads with his son to save his life, and his son refuses to acknowledge him. The effect is to show how ...
Seite 6
... in Shakespeare is the disparity between theory and reality, the breakdown of philosophy in the face of experience -— particularly when the experience is yours and the philosophy is someone else's. Throughout the play, Antipholus of ...
... in Shakespeare is the disparity between theory and reality, the breakdown of philosophy in the face of experience -— particularly when the experience is yours and the philosophy is someone else's. Throughout the play, Antipholus of ...
Seite 7
... in financial terms anticipates the inhuman legalism of Shylock;5 and throughout the play there are several small touches conveying the Ephesians' narrow concern with money. The merchant who talks with Antipholus of Syracuse in the ...
... in financial terms anticipates the inhuman legalism of Shylock;5 and throughout the play there are several small touches conveying the Ephesians' narrow concern with money. The merchant who talks with Antipholus of Syracuse in the ...
Seite 11
... in the play, there was discontent in his words, 'So I, to find a mother and a brother, / In quest of them, unhappy, lose myself ' (I. ii. 39—40). But now he is eager to lose himself in a more profound way, transformed by love. 8 There ...
... in the play, there was discontent in his words, 'So I, to find a mother and a brother, / In quest of them, unhappy, lose myself ' (I. ii. 39—40). But now he is eager to lose himself in a more profound way, transformed by love. 8 There ...
Inhalt
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Häufige Begriffe und Wortgruppen
Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words