Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 15
... tone of self - pity he is capable of talking of himself in the third person ( as Caesar does , for different reasons ) . His friends must not be grieved Nor construe any further my neglect Than that poor Brutus , with himself at War ...
... tone of self - pity he is capable of talking of himself in the third person ( as Caesar does , for different reasons ) . His friends must not be grieved Nor construe any further my neglect Than that poor Brutus , with himself at War ...
Página 28
... tone of friendly domestic reproof . How foolish do your fears seem now , Calphurnia ! Then he resumes his high formal tone : Give me my robe , for I will go . Then Brutus and other conspirators enter , and Caesar greets them in a tone ...
... tone of friendly domestic reproof . How foolish do your fears seem now , Calphurnia ! Then he resumes his high formal tone : Give me my robe , for I will go . Then Brutus and other conspirators enter , and Caesar greets them in a tone ...
Página 33
... tone of voice , all suggest spontaneity . But when he turns from addressing the body to addressing the conspirators the tone is cool and carefully calculated : I know not , gentlemen , what you intend , Who else must be let blood , who ...
... tone of voice , all suggest spontaneity . But when he turns from addressing the body to addressing the conspirators the tone is cool and carefully calculated : I know not , gentlemen , what you intend , Who else must be let blood , who ...
Termos e frases comuns
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong