Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 35
... crowd . There follows the famous scene where first Brutus then Antony address the crowd . There is always a problem in assessing within a play a set piece of rhetoric addressed by one of the characters to other characters . The audience ...
... crowd . There follows the famous scene where first Brutus then Antony address the crowd . There is always a problem in assessing within a play a set piece of rhetoric addressed by one of the characters to other characters . The audience ...
Página 41
... crowd . The appeal to Caesar's wounds ' poor poor dumb mouths ' to speak for him , and the outrageous assertion that were I Brutus And Brutus Antony , there were an Antony Would ruffle up your spirits , and put a tongue In every wound ...
... crowd . The appeal to Caesar's wounds ' poor poor dumb mouths ' to speak for him , and the outrageous assertion that were I Brutus And Brutus Antony , there were an Antony Would ruffle up your spirits , and put a tongue In every wound ...
Página 42
... crowd on the loose , the direct result of Antony's oratory . It is also , if less directly , a critical parody of the logic which Brutus used to persuade himself and then others of the need to murder Caesar . A member of the crowd ...
... crowd on the loose , the direct result of Antony's oratory . It is also , if less directly , a critical parody of the logic which Brutus used to persuade himself and then others of the need to murder Caesar . A member of the crowd ...
Termos e frases comuns
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong