Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 páginas |
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Página 14
... action . Caesar and his train are to return later in the same scene , but meanwhile , punctuating his two appearances , we have the dialogue between the two men long traditionally known , in either condemnation or admiration , as the ...
... action . Caesar and his train are to return later in the same scene , but meanwhile , punctuating his two appearances , we have the dialogue between the two men long traditionally known , in either condemnation or admiration , as the ...
Página 19
... action or to illuminate situations in which other characters were the principal actors . There is another example of Shakespeare's deliberate ambiguity in the scene with Brutus , Cassius and Casca . Casca tells SHAKESPEARE : JULIUS CAESAR ...
... action or to illuminate situations in which other characters were the principal actors . There is another example of Shakespeare's deliberate ambiguity in the scene with Brutus , Cassius and Casca . Casca tells SHAKESPEARE : JULIUS CAESAR ...
Página 51
... action , just as Antony represents the passionate man who , artful and cunning though he is , cannot in the end compete with his more bloodless rival ( and finally , as Shakespeare X shows in Antony and Cleopatra , meets what Granville ...
... action , just as Antony represents the passionate man who , artful and cunning though he is , cannot in the end compete with his more bloodless rival ( and finally , as Shakespeare X shows in Antony and Cleopatra , meets what Granville ...
Termos e frases comuns
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong