EUBULUS, his character, N. 49. EUCRATE, the favourite of Pharamond, N. 76. FAble F. Able of the lion and the man, N. 11. Of the Falfehood (the goddefs of) N. 63. Falfe wit, the region of it, N. 25. FALSTAFF (fir JOHN) a famous butt, N. 47.- Fashion, the force of it, N. 64. Fear of death often mortal, N. 25. Fine gentleman, a character frequently mifapplied by FLUTTER, (fir FOPLING) a comedy; fome remarks Fools, great plenty of them the first day of April, FREEPORT, (fir ANDREW) a member of the SPECT A- French poets, wherein to be imitated by the English, N. 45: Friendship, the great benefit of it, N. 68. Gallantry; wherein true gallantry ought to confist, N. 7. Gaper; the fign of the gaper frequent in Amsterdam, Ń. 47. Ghofts warned out of the play-houfe, N. 36. the ap- theatre, 44. Gofpel goffips described, N. 46. Goths in poetry, who, N. 62. H. Handkerchief, the great machine for moving pity in a tragedy, N. 44. Happiness, (true) an enemy to pomp and noise, N. 15. Heroes in an English tragedy generally lovers, N. 40. Human nature, the fame in all reasonable creatures, N. 70. Humour to be defcribed only by negatives, N. 35. the IAmbic I. Ambic verfe the most proper for Greek tragedies, JAMES, how polished by love, N. 71. Idiots, in great requeft in most of the German courts, N. 47: Idols, who of the fair fex fo called, N. 73. Impudence gets the better of modefty, N. 2. An im- The definition Indian kings, fome of their obfervations during their ftay here, N. 50. Indifcretion, more hurtful than ill-nature, N. 23. Injuries how to be measured, N. 23. Inkle and Yarico, their ftory, N. 11. Innocence, and not quality, an exemption from re- JONSON (BEN) an epitaph written by him on a lady, Italian writers, florid and wordy, N. 5. KIMBOW K. IMBOW (THO.) ftates his cafe in a letter to the Kiffing-dances cenfured, N. 7. L. LAdy's library defcribed, N. 37. LETITIA and DAPHNE, their story, N. 33. Lampoons written by people that cannot fpell, N. 16. witty lampoons inflict wounds that are incurable, 23. the inhuman barbarity of the ordinary fcribblers of lampoons, ibid. Larvati, who fo called among the ancients, N. 32. LATH ('fquire), has a good eftate, which he would part withal for a pair of legs to his mind, N. 32. Laughter, (immoderate) a fign of pride, N. 47. the provocations to it, ibid. Lawyers divided into the peaceable and litigious, N. 21. King LEAR, a tragedy, fuffers in the alteration, N. 40. Learning ought not to claim any merit to itself, but upon LEONORA, her character, N. 37. The description of her country-feat, ibid. Letters to the SPECTATOR; complaining of the mafquerade, N. 8. from the opera-lion, 14. from the under-fexton of Covent-Garden parish, ibid. from the undertaker of the masquerade, ibid. from one who had been to fee the opera of Rinaldo, and the puppet-fhow, ibid. from Charles Lillie, 16. from the prefident of the ugly club, 17. from S. C. with a complaint against the ftarers, 20. from Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ibid. from an actor, ibid. from king Latinus, ib. from Tho. Kimbow, 24. from Will Fashion to his would-be acquaintance, ibid. from Mary Tuefday on the fame fubject, ib. from a Valetudinarian to the SPECTATOR, 25. from fome perfons to the SPECTATOR'S clergyman, 27. from one who would be infpector of the fign-pofts, 28. from the mafter of the show at Charing-Crofs, ibid. from a member of the amorous club, at Oxford, 30. from a member of the ugly club, 32. from a gentleman to fuch ladies as are profeffed beauties, 33. to the SPECTATOR from T. D. E containing an intended regulation of the play-houfe, LINDAMIRA, the only woman allowed to paint, N. 41. London, an emporium for the whole earth, N. 69. Love of the world, our hearts mifled by it, N. 27. Lowngers, a new fect of philofophers in Cambridge, M. MAN a fociable animal, N. 9. The lofs of public and private virtues owing to men of parts, 6. MAZARINE (Cardinal), his behaviour to Quillet, who Merchants of great benefit to the public, Ñ. 69. Mixt communion of men and fpirits in paradise, as de- Mode, on what it ought to be built, N. 6. N. 70. Monuments in Westminster-Abbey examined by the Mourning, the method of it confidered, N. 64. Who Mufic banished by Plato out of his commonwealth, N. Neighbourhoods, of whom confifting, N. 49. NEWBERRY, (Mr.) his Rebus, N. 59. New-River, a project of bringing it into the play-house, N. 5. NICOLINI (fignior) his voyage on pafteboard, N. 5. OATES 0. ATES (Dr.) a favourite with fome party ladies, Ogler, the complete ogler, N. 46. Old maids generally fuperftitious, N. 7. Opera, as it is the prefent entertainment of the English |