Critical WritingsUniversity of Nebraska Press, 1964 - 167 páginas Novelist, poet, literary critic, editor, a founding father of English Modernism, and one of the most significant novelists of the twentieth century, Ford Madox Ford (1873-1939) was the author of over eighty books, editor of The English Review and The Transatlantic Review, and collaborator with Joseph Conrad on The Inheritors, Romance, and other works. His most famous novel is The Good Soldier (1915). This collection contains essays and letters on the English novel, impressionism, vers libre, Joseph Conrad, H. G. Wells, Henry James, Herbert Read, and Ernest Hemingway. |
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Página 39
... impressions that you are making upon the mind of the reader , and always consider that the first impression with which you present him will be so strong that it will be all that you can ever do to efface it , to alter it or even quite ...
... impressions that you are making upon the mind of the reader , and always consider that the first impression with which you present him will be so strong that it will be all that you can ever do to efface it , to alter it or even quite ...
Página 41
... impression of the moment - but it is the impression , not the corrected chronicle . I can make what I mean most clear by a concrete instance . Thus an Impressionist in a novel , or in a poem , will never render a long speech of one of ...
... impression of the moment - but it is the impression , not the corrected chronicle . I can make what I mean most clear by a concrete instance . Thus an Impressionist in a novel , or in a poem , will never render a long speech of one of ...
Página 46
... impression . But again , if the final province of art is to convince , its first province is to interest . So that , to the extent that your justification is uninteresting , it is an artistic defect . It may sound paradoxical , but the ...
... impression . But again , if the final province of art is to convince , its first province is to interest . So that , to the extent that your justification is uninteresting , it is an artistic defect . It may sound paradoxical , but the ...
Conteúdo
The English Novel | 3 |
The Reader | 21 |
On Impressionism | 33 |
Direitos autorais | |
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amongst appear artist C. F. G. Masterman called character consider course critical death dislike effect emotions England English novel Ernest Hemingway expression Ezra Pound fact Farewell to Arms fellow fiction Flaubert Ford Madox Ford Ford's French futurist gentleman give Henry James Hudson human idea illusion immense impression Impressionism Impressionist infinite Joseph Conrad knew lady language least letters literary literature living long speech Madame Bovary matter Maupassant ment methods mind moral narrator never novelist once one's passages peasant perhaps person phrase poem poet poetry printed prose queer rabbit-pie reader remember Richardson seems sense sentence short Slack sort Stendhal Stephen Crane story style suppose talk technique Thackeray thing thought tion to-day Turgenev vers libre verse Villa Rubein Village W. H. Hudson whilst whole words writing written wrote Yeats young