The Christian Right, the Far Right and the Boundaries of American Conservatism

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Manchester University Press, 2000 - 204 Seiten
Mothers and meaning on the early modern English stage is a study of the dramatised mother figure in English drama from the mid-sixteenth to the early seventeenth centuries. It explores a range of genres: moralities, histories, romantic comedies, city comedies, domestic tragedies, high tragedies, romances and melodrama and includes close readings of plays by such diverse dramatists as Udall, Bale, Phillip, Legge, Kyd, Marlowe, Peele, Shakespeare, Middleton, Dekker and Webster. The study is enriched by reference to religious, political and literary discourses of the period, from Reformation and counter-Reformation polemic to midwifery manuals and Mother's Legacies, the political rhetoric of Mary I, Elizabeth I and James VI, reported gallows confessions of mother convicts and Puritan conduct books. It thus offers scholars of literature, drama, art and history a unique opportunity to consider the literary, visual and rhetorical representation of motherhood in the context of a discussion of familiar and less familiar dramatic texts.
 

Inhalt

The rise of the right
1
Angry white males?
24
Gay rights
43
Gun rights
63
Abortion and the right
84
The Christian Right
105
The Patriot movement
126
Pat Buchanan and the postReagan right
147
The dispossessed
168
References
184
Urheberrecht

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Autoren-Profil (2000)

Martin Durham is Senior Lecturer in Politics at the University of Wolverhampton.

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