Voices in Translation: Bridging Cultural DividesGunilla M. Anderman Multilingual Matters, 2007 - 160 páginas In choosing to render dialect and vernacular speech into Scots, Bill Findlay, to whose memory this volume is dedicated, made a pioneering contribution in safeguarding the authenticity of voices in translation. The scene of the book is set by an overview of approaches to rendering foreign voices in English translation including those of the people to whom Findlay introduced us in his Scots dialect versions of European plays. Martin Bowman, his frequent co-translator follows with a discussion of their co-translation of playwright Jeanne-Mance Delisle. Different ways of bridging the cultural divide in the translation between English and a number of plays written in a number of European languages are then illustrated including the custom of creating English versions, an approach rejected by contributions that argue in favour of minimal intervention on the part of the translator. But transferring the social and cultural milieu that the speakers of other languages inhabit may also cause problems in translation, as discussed by some translators of fiction. In addition attention is drawn to the translators' own attitude and the influence of the time in which they live. In conclusion, stronger forces in the form of political events are highlighted that may also, adversely or positively, have a bearing on the translation process. |
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... Chekhov or Ibsen play , and usually as a star vehicle for big - name actors . From the 1930s to the early 1960s , revivals of the four late great Chekhov plays , in standard , off - the - shelf translations , had been the preserve of ...
... Chekhov adaptor who is also a Russian - speaker , openly admitted that , for his version , he had cut out many sub plots and minor characters and reor- ganised the chronological sequence ; he even went so far as to change the suicide at ...
... Chekhov Few playwrights have had to sustain such persistent and repeated assaults on their work as Anton Chekhov . But in the end , of course , no matter how many texts playwright - adaptors have at their disposal to draw on , Chekhov ...
Conteúdo
Gunilla Anderman | 6 |
The Vernacular Journey | 16 |
Drama in Scots Translation | 32 |
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