The Life of the DramaAtheneum, 1964 - 371 Seiten "Eric Bentley's radical new look at the grammar of theatre...is a work of exceptional virtue... The book justifies its title by being precisely about the ways in which life manifests itself in the theatre...This is a book to be read again and again." - Frank Kermode, The New York Review of Books |
Im Buch
Ergebnisse 1-3 von 28
Seite 56
... Ibsen added that these drafts differed " very much from each other in characterization , not in action . " In other words , the action was not subject to revision , while the motivation was . Ibsen supplies further particulars : [ In ...
... Ibsen added that these drafts differed " very much from each other in characterization , not in action . " In other words , the action was not subject to revision , while the motivation was . Ibsen supplies further particulars : [ In ...
Seite 57
... Ibsen once said he did not let a character go " until his fate is accomplished , " and it is essential to see that Ibsen people have a fate , not just a character . As for the old tag : Character is fate , if it means what it seems to ...
... Ibsen once said he did not let a character go " until his fate is accomplished , " and it is essential to see that Ibsen people have a fate , not just a character . As for the old tag : Character is fate , if it means what it seems to ...
Seite 96
... Ibsen and conclude : " Well , this is just ordinary conversation . " There is nothing in the individual sentence , or sometimes on the individual page , to give him the lie . The dialogue of Ibsen , Strindberg , Chekhov , and Pirandello ...
... Ibsen and conclude : " Well , this is just ordinary conversation . " There is nothing in the individual sentence , or sometimes on the individual page , to give him the lie . The dialogue of Ibsen , Strindberg , Chekhov , and Pirandello ...
Inhalt
PLOT The Raw Material of Plot | 3 |
CHARACTER The Raw Material of Character | 34 |
DIALOGUE Talking | 70 |
Urheberrecht | |
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acting action actor actually Aeschylus aggression Aristotle artist audience become Bertolt Brecht Brecht century characters comic commedia dell'arte critics death despair dialogue Don Juan drama drama of ideas dramatist E. M. Forster element emotional experience fact fantasy farce fear feeling forgiveness Freud genre Godot guilt Hamlet happens happy ending hero human humor Iago Ibsen intellectual joke justice kind King Lear laugh laughter less lex talionis literature live means melodrama mind modern Molière Naturalistic nature novel one's oneself Othello ourselves perhaps person Phaedra philosophy Pirandello pity play playwright pleasure plot poet poetry prose psychology punishment Racine reality revenge rhetoric role scene Schiller seems sense Shakespeare Shaw speak stage story talk Tartuffe theatre theatrical things thought tion tradition tragi-comedy tragic transcendence villain violence Volpone W. C. Fields Waiting for Godot wish words write