The plays of William Shakespeare, with the corrections and illustr. of various commentators. To which are added notes by S. Johnson, Volume 1 |
De dentro do livro
Resultados 1-5 de 5
Página 70
Prospero remains invisible . SCENE V. Enter Ariel loaden with glistering apparel ,
& c . Enter Caliban , Stephano , and Trinculo , all wet . Cal . Pray you , tread softly
, that the blind mole may not Hear a foot fall ; we are now near his cell . Ste .
Prospero remains invisible . SCENE V. Enter Ariel loaden with glistering apparel ,
& c . Enter Caliban , Stephano , and Trinculo , all wet . Cal . Pray you , tread softly
, that the blind mole may not Hear a foot fall ; we are now near his cell . Ste .
Página 129
Pyramus , enter ; your cue is past ; it is , never tire . Re - enter Botton , wilh an Ass
head . This . 0 ! -As true as cruest horse , that yet would never tire . Pyr . If I were
fair , Thisby , I were only thine . Quin . O monstrous ! O ftrange ! we are haunted ...
Pyramus , enter ; your cue is past ; it is , never tire . Re - enter Botton , wilh an Ass
head . This . 0 ! -As true as cruest horse , that yet would never tire . Pyr . If I were
fair , Thisby , I were only thine . Quin . O monstrous ! O ftrange ! we are haunted ...
Página 133
Enter King of Fairies . Ob . I wonder , if Titania be awak'd : Than what it was that
next came in her eye , Which she must doat on in extremity . Enter Puck . Here
comes my mefienger ! ' how now , mad sprite , What night - rule now about this ...
Enter King of Fairies . Ob . I wonder , if Titania be awak'd : Than what it was that
next came in her eye , Which she must doat on in extremity . Enter Puck . Here
comes my mefienger ! ' how now , mad sprite , What night - rule now about this ...
Página 147
Enter Demetrius , Dem . Lyfander , speak again ; Thou run - away , thou coward ,
art chou fled ? Speak in some bush : where dost thou hide thy head ? Puck .
Thou coward , art thou bragging to the stars , Telling the bushes that thou look'st
for ...
Enter Demetrius , Dem . Lyfander , speak again ; Thou run - away , thou coward ,
art chou fled ? Speak in some bush : where dost thou hide thy head ? Puck .
Thou coward , art thou bragging to the stars , Telling the bushes that thou look'st
for ...
Página 359
William Shakespeare Samuel Johnson. S CE N E XIV . Enter Isabella and
Mariana . Isab . To speak fo indirectly , I am loth : ( I'd say the truth ; but to accuse
him lo , That is your part ; ) yet I'm advis'd to do it , He says , to vail full purpose . }
Mari .
William Shakespeare Samuel Johnson. S CE N E XIV . Enter Isabella and
Mariana . Isab . To speak fo indirectly , I am loth : ( I'd say the truth ; but to accuse
him lo , That is your part ; ) yet I'm advis'd to do it , He says , to vail full purpose . }
Mari .
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Outras edições - Visualizar todos
The plays of William Shakespeare, with the corrections and illustr ..., Volume 2 William Shakespeare Visualização completa - 1768 |
The plays of William Shakespeare, with the corrections and illustr ..., Volume 5 William Shakespeare Visualização completa - 1768 |
The plays of William Shakespeare, with the corrections and illustr ..., Volume 3 William Shakespeare Visualização completa - 1765 |
Termos e frases comuns
againſt Angelo anſwer appear Author bear becauſe believe beſt better bring brother Clown comes common copies daughter death doth Duke Edition Editor Enter Exit eyes fair father faults fear firſt follow fortune give given grace hand hath head hear heart himſelf honour hope houſe Iſab Italy keep kind King lady language Laun learned leave light live look lord loſe Lucio maſter mean mind moſt muſt myſelf nature never night once play pleaſe Poet poor pray preſent reaſon ſaid ſame ſay SCENE ſee ſeems ſenſe Shakeſpear ſhall ſhe ſhould ſome ſpeak Speed ſtand ſuch ſweet tell thee theſe thing thoſe thou thought true truth turn uſe WARBURTON whoſe write
Passagens mais conhecidas
Página x - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Página 53 - The bigger bulk it shows. Hence, bashful cunning ! And prompt me, plain and holy innocence ! I am your wife, if you will marry me ; If not, I'll die your maid : to be your fellow You may deny me ; but I'll be your servant, Whether you will or no.
Página xxv - A quibble is to Shakespeare what luminous vapours are to the traveller : he follows it at all adventures ; it is sure to lead him out of his way, and sure to engulf him in the mire.
Página 462 - I will be bound to pay it ten times o'er, On forfeit of my hands, my head, my heart: If this will not suffice, it must appear That malice bears down truth. And I beseech you, Wrest once the law to your authority: To do a great right, do a little wrong, And curb this cruel devil of his will.
Página xxii - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Página 433 - I would my daughter were dead at my foot, and the jewels in her ear! would she were hearsed at my foot, and the ducats in her coffin!
Página 269 - Heaven doth with us as we with torches do, Not light them for themselves ; for if our virtues Did not go forth of us, 'twere all alike As if we had them not.
Página 118 - Yet mark'd I where the bolt of Cupid fell : It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
Página xxiii - ... with more zeal than judgment, to transfer to his imagined interpolators. We need not wonder to find Hector quoting Aristotle, when we see the loves of Theseus and Hippolyta combined with the Gothic mythology of fairies.
Página lxxiii - ... you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.