Motherhood and Representation: The Mother in Popular Culture and MelodramaRoutledge, 1992 - 250 páginas From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as EMEast Lynne, Marnie and the EMT. |
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Página 23
... later found a way to at once pay lip service to woman's increased share in government , and severely to restrict her activities - in this case through the concept of the Republican Mother . " Motherhood , " says Kerber ( 1980 : 200 ) ...
... later found a way to at once pay lip service to woman's increased share in government , and severely to restrict her activities - in this case through the concept of the Republican Mother . " Motherhood , " says Kerber ( 1980 : 200 ) ...
Página 42
... later implications of this pre - linguistic moment for males and females in the patriarchal Symbolic . Once we know and live out our positions as " male " or “ female , ” the meanings of the pre - linguistic terrain are different for ...
... later implications of this pre - linguistic moment for males and females in the patriarchal Symbolic . Once we know and live out our positions as " male " or “ female , ” the meanings of the pre - linguistic terrain are different for ...
Página 102
... Later on the film again manages to elicit spectator identification with a character , as in the poignant moment when Isabel says goodbye to her children , a scene that can hardly fail to be pathetic . In a later scene , when Isabel is ...
... Later on the film again manages to elicit spectator identification with a character , as in the poignant moment when Isabel says goodbye to her children , a scene that can hardly fail to be pathetic . In a later scene , when Isabel is ...
Conteúdo
INTRODUCTION | 3 |
THE PSYCHOANALYTIC SPHERE | 27 |
Motherhood and fictional representation | 57 |
Direitos autorais | |
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Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Visualização parcial - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Prévia não disponível - 1992 |
Termos e frases comuns
American argue articulated baby Barbara body Carlyle century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia daughter Delilah desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father feminine feminism feminist fiction figure film versions film's focus foetus Freud Freudian gaze gender genre Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure Mother's Day motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali Oedipal patriarchal Peola phallic phallus play popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau scene sexual social specific sphere Stella Dallas Symbolic terrain Uncle Tom's Cabin unconscious upper-class Voyager Weber woman women York