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elsewhere, that—" When friends did meete, and were disposed to be merrie, they wente not to dine or sup in tavernes, but to the cooke's, where they called for what they liked: which they always found roadie dressed, and at a reasonable rate." There is on contemporaneous record a curious anecdote of an affray on this spot, at one of these houses of public entertainment, in which two of the sons of Henry IV. were actually concerned; and it might very well suggest to a sagacious dramatist, the idea of transferring their revelries to Prince Henry, Falstaff, Mrs. Quickly, and the Boar's Head. The disturbance in question took place June 23d, 1410, the Eve of St. John the Baptist, when, savs Stow, "Thomas and John, the king's sonnes, being at London in East Cheape, at supper, after midnight, a great debate happened between their men and men of the court, till the Maior and Sheriffes with other dozens ceased the same."

In the sixteenth century these premises had become established as a tavern, and in the tract entitled '' Newes

ACT III.

(1) SCESEl.—

/ rax tpeai Engliih, lord, at well at you:
for I vat train'd up in the Englith court.]

The brave but ill-fated Owen Glendower, who contrived for twelve years to sustain a desultory warfare against the English, often so successfully that his enemies were fain to attribute their defeats to supernatural agency, was descended from Llewellin ap Jorwarth Drovndon, Prince of Wales, and was called Owen-ap-Gryffyth Vaughan. He is said to have inherited a large estate, and to have taken his surname from a lordship of his propertv, called Glyndourdwy. When a youth, he was sent to London for his education, where he entered himself of the Temple, and subsequently became an esquire of the body to Richard the Second, and was one of the very few who faithfully adhered to the fallen monarch up to the moment when he was captured at Flint Castle.

Mr. Tyler, who, in his History of Henry of Monmouth, has paid a just tribute to the unconquerable courage and untiring perseverance of this remarkable man, thus touchingly alludes to the termination of his chequered career. "Owyn Glyndowr failed, and he was denounced as a rebel and a traitor. But had the issue of the 'sorry ueht' of Shrewsbury been otherwise than it was; had Hotspur so devised and digested, and matured his plan of operations, as to have enabled Owyn with his forces to join heart and hand in that hard-fought field ; had Bolingbroke and his son fallen on that fatal day;—instead of lingering among his native mountains, as a fugitive and a branded felon, bereft of his lands, his friends, his children, and his wife, waiting only for the blow of death to terminate his earthly sufferings, and, when the blow fell, leaving no memorial behind him to mark either the time or place of his release,—Owyn Glendowr might have been recognised even or England, as he actually had been by France, in the character of an independent sovereign; and his people might hare celebrated his name as the avenger of his country's wrongs, the scourge of her oppressors, and the restorer of her independence.

"The anticipations of his own bard, Gryffydd Llydd, might have been amply realized:—

"'Strike then your harps, ye Cambrian bardi!
The song of triumph best rewards
An hero's toils. Let Henry weep
His warriors wrapt in everlasting sleep:
Success and victory are thine,
Owain Glyndurdwy divine 1

from Bartholomew Fair" the house is mentioned as "the Bore's Head neere London-stone." It continued in the same occupation during the next century and a half. In Mr. J. H. Bum's Descriptive Catalogue of the collection of Tradesmen's Tokens at Guildhall, there are notices of two which were issued from the Boar's Head Tavern, in Great East Cheap, and the same work contains also several interesting memorials relating to the house. One of these tokens is anterior to the Great Fire of 1666, which completely destroyed the whole premises. They were reerected two years afterwards, and a carving of the sign in stone, bearing the date with the initials J. T., was inserted between the windows of the first and second floor. The building was subsequently divided into two houses, at which time it probably ceased to be a tavern, and the sign remained in its original situation between them. In 1831, however, the premises were taken down for the London Bridge improvements, and the carved Boar's Head was removed to the Corporation Museum at Guildhall.

Dominion, honour, pleasure, praise.
Attend upon thy vigorous days.
And, when thy evening's sun is set,
May grateful Cambria ne'er forget
Thy noontide blaze; but on thy tomb
Never-fading laurels bloom.'"

(2) Scene II.—

A hundred thmitand rebeli die in Uiit.]

The interview between the King and Prince Henry, upon which the present Scene is founded, w as brought about by the anxiety of the latter to disabuse his father of a suspicion which he had been led to entertain, that the prince aspired to the throne, and is thus related by Holinshed; after narrating that the prince came to the court accompanied by many noblemen and others his friends, whom he had commanded to attend him no farther than to the fire in Westminster Hall, and that he himself was then admitted to the presence of his father, the chronicle proceeds:—

"The prince, kneeling downe before his father, said: Most redoubted and sovereigne lord and father, I am at this time come to your presence as your liege man, and as your natural] sonne, in all things to be at your commandement. And where I understand you have in suspicion my demeanour against your grace, you know verie well, that if I knew any man within this realme of whom you should stand in feare, my dutie were to punish that person, thereby to remove that griefe from your heart. Then how much more ought I to suffer death, to ease your grace of that greefo which you have of me, being your natural sonne and liege man: and to that end I have this daie made myselfe readie by confession and receiving of the sacrament. And therefore I beseech you, most redoubted lord and deare father, for the honour of God, to ease your heart of all such suspicion as you have of me, and to dispatch me heore before your knees with this same dagger [and withall delivered unto the king his dagger in all humble reverence, adding further, that his life was not so deare to him that he wished to live one daie with bis displeasure], and therefore, in thus ridding me out of life, and yourselfe from all suspicion, here, in presence of these lords, and before God at the daie of the generall judgement, I faithfullie protest clearlie to forgive you.

"The king moved herewith, cast from him the dagger, and imbracing the prince, kissed him, and with shedding teares confessed, that in deed he had him partlie in suspicion, though now (as he perceived) not with just cause, and therefore from thenceforth no mis-report should cause him

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THE SECOND PART OF

KING HENEY THE FOURTH.

The Registers of the Stationers' Company contain the following memorandum relative to this drama :—

"23rd August, 1600. And. Wise Wm. Apsley.]—Two books the one called Much Adoe about Nothinge, and the other The Seconde Parte of the History of King Henry the iiii, with the Humors of Sir John Fallstaff: wrytten by Mr. Shakespeare." In the same year Wise and Apsley published the only quarto edition of it known, under the title of " The Second Part of Henrie the fourth, continuing to his death and coronation of Ilenrie the Fift. With the humours of Sir Iohn Falstaffe, and swaggering Pistoll. As it hath been sundrie times publikely acted by the right honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare."

This edition appears to have been printed without proper supervision, for, independently of minor omissions, at the beginning of Act III. a whole scene was left out. Nor does the mistake seems to have been discovered until the greater part of the impression had been worked off: sheet E was then reprinted and the missing scene incorporated. The folio text of the play was printed from an independent and more complete copy than that of the quarto, depraved, however, as usual by playhouse alterations and the negligence of successive transcribers.

Malone assigns the composition of the Second Part of King Henry IV. to 1598; but from the circumstance of one speech of Falstaff's in Act I. Sc. 2, bearing the prefix of Old, i.e. OldcastU, it is evident that the great humourist retained the name of Oldcastle when this play was written, and as it is known that the name was changed anterior to the entry of Part I. in the Stationers' books, on the 25th of February, 1597-8, we are warranted in assuming that the Second Part was produced before that date.

The historical transactions comprehended in this piece, extend over a period of about nine years; beginning with the account of Hotspur's defeat and death in 1403, and terminating with the decease of Henry IV. and the accession and coronation of Henry V. in 1412-13.

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