The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
Im Buch
Ergebnisse 1-3 von 88
Seite 51
... Vocal Music should be more gen- ody and harmony , and freed them from theerally attractive than instrumental ; indeed narrow limits of the Greeks and Romans . the music of the voice when accompanied Since the middle of the seventeenth ...
... Vocal Music should be more gen- ody and harmony , and freed them from theerally attractive than instrumental ; indeed narrow limits of the Greeks and Romans . the music of the voice when accompanied Since the middle of the seventeenth ...
Seite 156
... vocal composers of their make a deep and lasting impression on his au- age ) we find them partaking largely of the ditors . Notwithstanding its superiority over nature of vocal compositions . other musical instruments , the human voice ...
... vocal composers of their make a deep and lasting impression on his au- age ) we find them partaking largely of the ditors . Notwithstanding its superiority over nature of vocal compositions . other musical instruments , the human voice ...
Seite 26
... Vocal music was a gift of nature ; and a susceptibility favor able to its reception , an unacquired property of the ear . But at what pe- riod vocal music assumed any thing like a systematic regulation of tones , or intervals , remains ...
... Vocal music was a gift of nature ; and a susceptibility favor able to its reception , an unacquired property of the ear . But at what pe- riod vocal music assumed any thing like a systematic regulation of tones , or intervals , remains ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words